To start your FREE subscription to the Triangle Review, click
SUBSCRIBE-TR. You may UNSUBSCRIBE-TR at any time.

Edited and Published by Robert W. McDowell

May 16, 2024 Issue
PART 2 (May 17, 2023)

A FREE Weekly E-mail Newsletter Covering Theater, Dance, Music, and Film in the Raleigh-Durham-Chapel Hill/Carrboro Area of North Carolina Since April 2001.

PART 2A: TRIANGLE THEATER REVIEW BY MELISSA ROONEY

The Lion King at DPAC Boasts a Top-Notch Cast
and Spectacular Production Values


Gerald Ramsey stars as Mufasa in The Lion King at the Durham Perfoming Arts Center (photo by Matthew Murphy ©Disney)

Looking for a fun yet meaningful night out with the kids this month? Look no further than The Lion King, playing now through Sunday, June 9th, at the Durham Performing Arts Center.

I'm not talking about the 1994 Walt Disney Animation Studios' film of the same name, nor The Festival of the Lion King performance at Walt Disney World. I'm talking about Disney Theatrical Productions' stage musical, with music and lyrics by Elton John and Tim Rice, a book by Roger Allers and Irene Mecchi, and additional music and lyrics by Lebo M, Mark Mancina, Jay Rifkin, Julie Taymor, and Hans Zimmer

Much like "The Festival of the Lion King" performance that comes with tickets to Disney World's Animal Kingdom theme park, the Broadway musical features actors in animal costumes as well as giant, hollow puppets. The Lion King (musical), which has been on Broadway since 1997, is Broadway's third longest-running show in history and the highest-grossing Broadway production of all time. But unlike the movie or amusement-park production, The Lion King (musical) puts its audience in the center of the life-sized animals that are integral to its Hamlet-like plot and message.


The Lion King at the Durham Perfoming Arts Center stars Mukelisiwe Goba as Rafiki (photo by Matthew Murphy ©Disney)

The moment the production begins, the audience is treated to beautiful, ingenious, life-sized puppets of African animals, created by Julie Taymor and Oregon-based puppet designer Michael Curry. Masterfully controlled giraffe, cheetah, zebras, antelope, and even a giant elephant dance on stage and in the aisles as spiritual master Rafiki, played by Mukelisiwe Goba, sings and dances in enchanting South African Zulu tradition. Goba was born in Durban, South Africa, and to see her perform is like stepping into a festival in KwaZulu-Natal. It's worth going to see the production just to see her.

Before the show started, I was wary about the acting that I was about to see, as Disney's animated film sets the bar incredibly high -- Jeremy' Irons and Jim Cummings' performance of disgruntled brother-to-the-king Scar's signature song, "Be Prepared," is one of my all-time favorites. But the actors in DPAC's production are all top notch and uniquely impressive in their human performances.

Lion King Mufasa, played by Gerald Ramsey, has the smooth, low voice of James Earl Jones (who played Mufasa in the movie); but unlike the movie, we get to hear Ramsey's Mufasa voice in song, which I'm relieved to say is just as velvety.


Darian Sanders stars as Simba in the national tour of The Lion King on May 15-June 9 at DPAC (photo by Deen van Meer ©Disney)

Peter Hargrave's performance as Scar is equally enjoyable. His snide British royal accent is fabulous, though I wish his musical lines in "Be Prepared" more closely mimicked the film version.

Nick LaMedica is mesmerizing as Zazu. The way he flies that bird around and talks and sings for it at the same time is pure magic.

And Nick Cordileone and John E. Brady's portrayals of meercat Timon and warthog Pumbaa (Lion Prince Simba's best friends) have just the right amount of Brooklyn accent to go with their Brooklyn attitudes, which is more impressive when you consider the larger-than-life puppeteering that they are doing every moment that they are on stage.


Darian Sanders and Khalifa White star as Simba and Nala (photo by Matthew Murphy ©Disney)

Young Simba and Young Nala, played on Thursday night by young Bryce Christian Thompson and young Ritisha Chakraborty, are definite highlights. Their duet in "I Just Can't Wait to Be King" is adorable and fun, enticing the audience to sing along. John E. Brady and Khalifa White are equally harmonious in their portrayals of adult Simba and Nala.

But the best vocals in this production are the group numbers. The Zulu rhythms and harmonies that envelop the audience are just plain magical when the entire ensemble breaks out in song and dance.

Richard Hudson's scenery is captivating as well -- every single scene change brings something different and clever. Donald Holder's lighting design expertly highlights the puppets and obscures the actors so that they almost disappear, somewhat astonishing viewers when they remember that the performers are there. And Michael Ward's hair and makeup design, especially for members of the company who perform without masks, only adds to the enchantment.


Peter Hargrave stars as Scar in The Lion King at the Durham Perfoming Arts Center (photo by Matthew Murphy ©Disney)

Disney's The Lion King (musical) is a visual spectacle -- a giant puppet show, dance production, Zulu-influenced concert, and Broadway musical, all rolled into one. It's the perfect performance to see with the kids. But I caution against taking children under 10 years old to the night-time production, as the performance runs for two-and-a-half hours -- past 10 p.m. Though the subject material is certainly appropriate, that's a long time for young kids to sit still and pay attention, particularly late at night.

Constructive Comment: If I were in charge, I'd omit 2-3 songs in the second act and get rid of the intermission altogether. I think the audience would appreciate the musical more if it weren't so long, and shortening the production time makes it more amenable to the younger children who will certainly want to see it.


The lionesses dance on May 15-June 9 in The Lion King at the Durham Performing Arts Center (photo by Deen van Meer ©Disney)

Elton John and Tim Rice's THE LION KING (In Person at 7:30 p.m. Tuesday-Thursday, 8 p.m. Friday, 2 and 8 p.m. Saturday, and 1 and 6:30 p.m. Sunday, May 17-19 and 21-26; May 28-June 2; and June 4-9), with book by Roger Allers and Irene Mecchi, directed by Julie Taymor, choreographed by Garth Fagan, presented as part of Truist Broadway at DPAC, and starring Peter Hargrave as Scar, Gerald Ramsey as Mufasa, Mukelisiwe Goba as Rafiki, Nick Cordileone as Timon, Nick LaMedica as Zazu, John E. Brady as Pumbaa, Darian Sanders as Simba, Khalifa White as Nala, Forest VanDyke as Banzai, Martina Sykes as Shenzi, and Robbie Swift as Ed, Bryce Christian Thompson or Julian Villela as Young Simba, and Ritisha Chakraborty or Leela Chopra as Young Nala, plus Kayla Rose Aimable, William John Austin, Iman Ayana, Eric Bean Jr., Layla Brent, Vernon Brooks III, Sasha Caicedo, Lauren Carr, Thembelihle Cele, Daniela Cobb, Lyric Danae, Maurice Dawkins, Marquis Floyd, Tony Freeman, Jolina Javier, Valériane Louisy Louis Joseph, Joel Karie, Samaree Lawson, Gabisile Manana, Justin Mensah, Sarita Amani Nash, Nhlanhla Ndlovu, Aaron Nelson, Jeremy Noel, Sicelo Ntshangase, Erick D. Patrick, Sayiga Eugene Peabody, Yael Pineda-Hall, Poseletso Sejosingoe, Jennifer Theriot, Courtney Thomas, Ben Toomer, Denzel Tsopnang, Brinie Wallace, and Jordan Nicole Willis (Durham Performing Arts Center in Durham). DIGITAL PROGRAM: https://issuu.com/dpac0/docs/dpac_lionking_digital. TRAILER: https://www.youtube.com/watch?v=8OG6a3Cq-BA&t=1s. DPAC NEWS RELEASES: https://www.dpacnc.com/news/detail/disneys-the-lion-king-returns-to-dpac-may-15-june-9-2024 and https://www.dpacnc.com/news/detail/casting-announced-for-disneys-the-lion-king. PRESENTER/VENUE: https://www.dpacnc.com/, https://www.facebook.com/DPACNC, https://www.instagram.com/DPACNC/, https://twitter.com/DPAC, and https://www.youtube.com/user/DPACLive. TRUIST BROADWAY AT DPAC: https://www.dpacnc.com/events/category/broadway. DIRECTIONS: https://www.dpacnc.com/plan-your-visit/directions. PARKING: https://www.dpacnc.com/plan-your-visit/parking. DPAC COVID-19 FREQUENTLY ASKED QUESTIONS: https://www.dpacnc.com/events/latest-updates-on-events-at-dpac/reopening-faq. THE TOUR (Rafiki Tour, 2017-Present): https://lionking.com/tour/, https://www.ibdb.com/tour-production/the-lion-king-rafiki-515415, https://www.facebook.com/TheLionKingUSA/, https://www.instagram.com/thelionking/, https://twitter.com/thelionking, and https://www.youtube.com/playlist?list=PL494D375DFA8E737E. THE LION KING (1997 Broadway and 1999 West End musical): https://lionking.com/, https://www.ibdb.com/broadway-show/the-lion-king-5421, and https://en.wikipedia.org/wiki/The_Lion_King_(musical). BARON ANDREW LLOYD WEBBER: https://www.andrewlloydwebber.com/, https://www.ibdb.com/broadway-cast-staff/andrew-lloyd-webber-12073, https://www.imdb.com/name/nm0515908/, https://www.britannica.com/biography/Andrew-Lloyd-Webber-Baron-Lloyd-Webber-of-Sydmonton, and https://en.wikipedia.org/wiki/Andrew_Lloyd_Webber. SIR TIM RICE: http://www.timrice.co.uk/, https://www.ibdb.com/broadway-cast-staff/tim-rice-8890, https://www.imdb.com/name/nm0005358/, https://www.britannica.com/biography/Tim-Rice, and https://en.wikipedia.org/wiki/Tim_Rice. TICKETS: $29.50 and up, plus taxes and fees. Call 800-982-2787 or click here to buy tickets. GROUPS (10+ tickets): 919-680-2787, Groups@DPACnc.com, and https://www.dpacnc.com/events/groups-services. INFORMATION: 919-680-2787 or CustomerService@DPACnc.com. Susie Potter's Triangle Arts Review Review.

EDITOR'S NOTE: A Durham, NC resident for 20 years, Melissa Rooney is a scientific editor, freelance writer, and author of several science-based children's picture books. She has published children's stories and verse in Highlights Children's Magazine and Bay Leaves. Rooney earned undergraduate degrees in English and Chemistry from the College of William and Mary in Williamsburg, VA; and she earned a Ph.D. in Chemistry in 1998 from the University of North Carolina in Chapel Hill. Her stories Eddie the Electron and The Fate of the Frog form the basis of two workshops offered through the Durham Arts Council's Culture and Arts in the Public Schools (CAPS) program, through which Rooney teaches elementary- and middle-school students about electrons and atoms or sustainability and rhyme, respectively. When she isn't writing, editing, reading, teaching, or experiencing theater, Rooney volunteers as a Soil and Water Conservationist for the nonprofit Urban Sustainability Solutions. Click here to read Melissa Rooney's reviews for Triangle Review.

 


WHAT: Triangle Review is a FREE weekly e-mail performing-arts and film newsletter, edited and published by Robert W. McDowell since May 2001.

TO SUBSCRIBE: To start your FREE subscription today, sign up in the subscription box at the beginning of this e-mail; or e-mail RobertM748@aol.com and type SUBSCRIBE-TR in the Subject: line. TO UNSUBSCRIBE: E-mail RobertM748@aol.com and type UNSUBSCRIBE-TR in the Subject: line.

QUESTIONS OR COMMENTS? E-mail all questions, comments, and Letters to the Editor to RobertM748@aol.com. For Letters to the Editor, please include a daytime telephone number in your e-mail.

COPYRIGHT: Editorial content in all formats © 2024 Triangle Review and the author of each article. Reproduction in any form without authorization of Triangle Review and the respective authors is prohibited. Triangle Review maintains an archive of past issues. To request copies of past articles and/or issues, e-mail RobertM748@aol.com.