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Planning the trip
Preparations for the trip begin before departure and continue throughout the time in the country. A journalist could set up a place to stay and, suddenly, that building or area might become unsafe. Or, a journalist could spend weeks arranging a “fixer” or a driver, only for them to cancel for a better paid opportunity or a change of heart. “It's just trying to make sure everything lines up so you can get to where you're trying to get for the day,” Carde said.
Complications can come from any direction. On the day of our call, Carde was headed to Severodonetsk when his car broke down. A drive that was supposed to take under two hours resulted in him spending most of the day at a nearby auto repair shop.
Mitigating risk
Carde stressed that there is no preventing risk, only mitigating it. This process is threefold: bringing the right equipment, preparing for any conceivable scenario, and making the right decisions in the moment.
In Ukraine, Carde carries body armor rated for the rifle rounds that Russian and Ukrainian troops use. He also carries basic first aid equipment, including bandages and tourniquets. As a former Army engineer, Carde received military and medical training. It is also standard for journalists reporting in unstable areas to receive hazardous environment awareness training (HEAT) or some equivalent. Much of the burden of mitigating risk comes down to real-time decisions.
Carde emphasized the difference between necessary and unnecessary risk: “I try not to take risks that aren't needed.” He asks himself, “Do I really need to take that risk for this story?” Last summer while in Iraq, he decided against entering a minefield even though he had a de-miner with him. “It was very dense jungle. The area that we were in [was] very foresty and the ground was covered. And so I stayed outside. I would have gotten much better images, but I didn’t feel like it was the right decision.”
The reporting
“There’s no typical day here,” Carde said. Sometimes his day is just mundane tasks — washing his clothes or reading the news — but often he’s chasing down leads, making calls to ensure his plans are still solid, and working on assignments.
Working with locals is often crucial to getting the job done. Local assistants, sometimes called fixers or local producers, can provide transportation, language skills, or connections to foreign journalists like Carde. They also can be an instrumental part of the storytelling process: Correspondents and locals have different priorities when telling a story, and Carde thinks journalists should tell the story that locals find important as well. Carde finds his local sources in various ways.
Many Facebook groups (or social media equivalents) can help establish connections between locals who need work and journalists who need locals. Carde also meets people by keeping his eyes and ears open. On a train ride to a new location, Carde met and exchanged stories with a Ukrainian local who introduced him to her circle, opening a doorway to many new connections.
Many journalists find strength in numbers and often will share rides and lodging with each other. “I try not to go out too often on my own. I prefer to be with another journalist,” Carde said. “For the most part, I’ve been with other freelancers and journalists.”
Framing the story
Photojournalists need to take pictures that accurately and fully tell the story. Destroyed buildings are common in war-torn areas, Carde said. It can be helpful to capture smoke coming out of a destroyed building to show urgency because, in the viewer's mind, that photo could be from five minutes or five months ago. “You’re trying to find things that show that it’s a timely event,” he said.
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