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MARCH
30 – Memphis, TN – Crosstown Arts *
APRIL
1 – Knoxville, TN – Big Ears Festival #
2 – Chattanooga, TN – Songbirds Guitar & Pop Culture Museum
JUNE
9 – Chicago, IL – Thalia Hall †
10 – Minneapolis, MN – First Avenue † ^
11 – Madison, WI – Madison Jazz Festival @ High Noon Saloon †
13 – Indianapolis, IN – Toby Theater †
14 – Nashville, TN – 3rd & Lindsley †
15 – Atlanta, GA – Center Stage †
16 – Asheville, NC – Grey Eagle †
17 – Winston-Salem, NC – The Ramkat †
JULY
4 – Montréal, QC – Festival International De Jazz De Montréal #
* w/ Marc Ribot and the Jazz Bins
† w/ Marc Ribot’s Ceramic Dog
# Festival Performance
^ w/Special Guest Alan Sparhawk (of Low)
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PRAISE FOR THE BAD PLUS
“The Bad Plus are intent on pushing their own compositional skills in new directions…With 22 years’ skin in the game, another self-titled album is a risky statement of intent. The Bad Plus pull it off with pith and swank.”
– MOJO (****)
“In this current configuration, they’ve reinvented themselves as a quartet but with that same genre-blending sound that we know and love…The group is now sans piano, which is certainly indicative of the risks they’re willing to take…They’re giving us so much to work with in the way of sound. You really can’t put them in a box.”
– NPR, ALL SONGS CONSIDERED
“After emerging more than 23 years ago, The Bad Plus has since become a
21st-century jazz institution…The new members only widen the combo’s harmonic palette, they rejuvenate the band’s volatile chemistry, which can explode into alt-rock mayhem or simmer down into gutsy,
compelling music, marked by succinct pop melodicism.”
– DOWNBEAT
“One of the defining bands of 21st-century jazz...Despite the major change in the lineup, the band’s objective of challenging conventions and pushing their unique approach to jazz in boundary-breaking new directions remains unaltered. Their music testifies to their passion, drive, and intent.”
– JAZZIZ
“Unlike anything this former piano-trio institution has played before…THE BAD PLUS
runs the gamut of mood and attack from (Anderson’s) ghostly march ‘Stygian Pools’ to King’s
furious nonstop improvising behind the front line in ‘Sick Fire.’”
– JAZZ TIMES
“The Bad Plus have taken an unexpected step and swapped the keys for two other instruments. That rigorous ensemble sound remains, but the textures are tougher.”
– THE TIMES (****)
CONNECT WITH THE BAD PLUS:
WEBSITE | FACEBOOK | INSTAGRAM | TWITTER | YOUTUBE
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