The Upton Report
Volume 163
July 24th, 2015

In This Issue
Forest to Stage, Cont'd
Witch Hazel to Maple
UB Archives

Upton Bass Barn


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With $500 off, you could own an Upton for as little as $2000. Handmade alongside our finest custom basses, the UB Standard Models are a tremendous value.

Corey Swan "Ceruti" Model


Nestled in our showroom among our fine stock of used and vintage double basses is this immaculate copy of an 1820 Ceruti, handcrafted by an up-and-coming American luthier.



The work of a sawyer can be strenuous and taxing, although surprisingly fulfilling...ask Gary!

He's been hard at work milling a giant maple log into manageable billets that will be dried, processed, and made into future Upton Basses.

Gary knew he found something special when he stumbled upon this local tree trunk: the birth of the "Forest to Stage" concept. The days may be long and the sun is hot, but life is good when we're building basses.

Give Gary or me a call, and let's talk about building a bass for today.
We love what we do, and we'd love to do it for you!

 

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Eric
Upton Bass String Instrument Co.

Milling Maple Billets - Video
YouTube.com

From Tree to Bass, PART 2!  In this video, Gary breaks out the heavy equipment to mill down our giant local sugar maple tree trunk into billets that are ideal for drying. These billets will become back plates and ribs for future Upton double basses.

In part one of this series, Gary hand-split the massive log into quarters. This local maple is now being cut into eighths for storage and drying. Each of these billets may look small, but Gary demonstrates that they are plenty large enough for our Mittenwald model double bass, which is a big 7/8ths. Click on the photo link above to hear the whole story.

 Follow this series and more on YouTube.com...

 

History of the UB Mill Site
UptonBass.com

Did you know that the current home of Upton Bass, the "Big Red Barn," has roots in the milling industry? It's true.

Dating back to about 1907, the T.N. Dickinson witch hazel mill stood and operated on the very same foundation that the UB workshop stands on today. In fact, the current post-and-beam barn is a historic rebuild of the original structure.

If you come to visit our workshop and showroom, you may notice that it is tucked away in a quaint residential neighborhood. But it wasn't always that way. Throughout the 18th and 19th centuries, the historic district of Burnett's Corner was a bustling stop along the old Post Road (now renamed Packer Rd) that was a convenient layover for travelers trekking from Boston to NYC. The small village boasted a hotel, ropewalk, post office, and the Dickinson wet mill.

When Gary acquired the property all that remained of the former mill was its crumbling foundation, but his vision was grand. After many years of doing restorations on vintage and priceless instruments, he viewed this project through the eyes of a historical preservationist. Using the existing foundation, he rebuilt a modern-day equivalent of the historical structure with local timber and traditional post-and-beam architecture.

The "Forest to Stage" concept ties the workshop to its historical roots in many ways, while reflecting Gary's strong commitment to sustainable building practices and inspired hand craftsmanship.

Visit us online or at our workshop, details at UptonBass.com...

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