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My Parents' Marriage: A Novel by Nana Ekua Brew-Hammond 



Acclaimed children’s author Nana Brew-Hammond makes her highly anticipated return with this soaring and profound story about love and understanding told through three generations of one Ghanian family.


Determined to avoid the pain and instability of her parents’ turbulent, confusing marriage, Kokui marries a man far different from her loving, philandering, self-made father—and tries to be a different kind of wife from her mother.


But when Kokui and her husband leave Ghana to make a new life for themselves in America, she finds history repeating itself. Her marriage failing, she is called home to Ghana when her father dies. Back in her childhood home, which feels both familiar and discomforting, she comes to realize that to exorcise the ghosts of her parent’s marriage, she must confront them to enable her healing.


Tender and illuminating, warm and bittersweet My Parents’ Marriage is a compelling story of family, community, class, and self-identity from an author with deep empathy and a generous heart.



About the Author

Nana Ekua Brew-Hammond is the author of four books. Her children's picture book BLUE: A History of the Color as Deep as the Sea and as Wide as the Sky, illustrated by Caldecott Honor Artist Daniel Minter, was named among the best of 2022 by NPR, New York Public Library, Chicago Public Library, Kirkus Reviews, The Center for the Study of Multicultural Literature, Bank Street College of Education, and more.


BLUE is on the 2023-2024 Texas Bluebonnet Master List; it has been honored with the NCTE Orbis Pictus Award® recognizing excellence in the writing of non-fiction for children; and it is an NAACP Image Award Nominee for Outstanding Literature for Children. It was named to the American Library Association's 2023 Notable Children's Books and nominated for a 2025 Georgia Children's Book Award.


Brew-Hammond also wrote the young adult novel Powder Necklace, which Publishers Weekly called “a winning debut”, and she edited RELATIONS: An Anthology of African and Diaspora Voices. Kirkus Reviews called the anthology "smart, generous...a true gift" in its starred review.


Her newest novel for adult readers, My Parents' Marriage, was featured in The New York Times Book Review's July 7, 2024 "...Also Out Now" column, Minneapolis Star Tribune, Booklist, and more. The author Melissa Rivero called it "a propulsive read that will take hold of you with its honesty, determination, and heart," while the author Vanessa Walters described it as "an arrestingly evocative story...which dismantles immigrant clichés."


Brew-Hammond's short fiction for adult readers is included in the anthologies Accra Noir edited by Nana-Ama Danquah, Africa39 edited by Ellah Wakatama Allfrey, New Daughters of Africa edited by Margaret Busby, Everyday People edited by Jennifer Baker, and Woman's Work edited by Michelle Sewell, among others. Addittionally, her writing has appeared in Now2, African Writing, Los Angeles Review of Books, and Sunday Salon.  


From 2018-2023, Brew-Hammond was a Pa Gya! Literary Festival Guest Author, and she was a 2019 Edward Albee Foundation Fellow, a 2018 Aké Arts and Book Festival Guest Author, a 2018 Hobart Festival of Women Writers Guest Author, a 2017 Aspen Ideas Festival Scholar, a 2016 Hedgebrook Writer-in-Residence, a 2015 Rhode Island Writers Colony Writer-in-Residence, and in both 2015 and 2014, she was shortlisted for a Miles Morland Writing Scholarship.  


Passionate about Africa's varied fashion traditions and techniques, Brew-Hammond was commissioned by the curators of Brooklyn Museum's "Africa Fashion" exhibit to pen and perform an original poem for the museum's companion short film of the same name. In the clip, she wore a look from the made-in-Ghana lifestyle line she co-founded with her mother and sister, Exit 14. The brand was featured on Vogue.com.


Brew-Hammond's fashion sense has been captured by New York Magazine, Essence Magazine, BFA, TheSartorialist.com, Paper Magazine, and The New York Times, among many other outlets. 


Every month, Brew-Hammond co-leads a writing fellowship whose mission is to write light into the darkness. Learn more at nanabrewhammond.com.




 Sneak Peek from My Parents' Marriage

Micheline raised bashful eyes at the husband she had left eleven years ago, but never divorced. “Sleep well, Old Man,” she said as he lowered himself onto the thin mattress.


Behind the closed double doors of Micheline’s bedroom, Kokui and Nami began to shed the long day. Micheline, too, peeled off her scarf and boubou and settled into the bed.


“No one else makes Mawuli Nuga sleep on a floor mat,” Micheline said as her daughters quickly arranged themselves around her.


Kokui ached at the pride masking hope in her mother’s voice. The truth was no one knew who or what made Mawuli Nuga do anything he did—and no one made Mawuli Nuga do anything he didn’t want to do.


“Ma, why do you always make him sleep out there the first night?”


“Only to boot us onto the floor the rest of the week, and let him in,” Nami added.


“The first night is to punish him,” Micheline said, “but a whole week would punish me.”


Kokui inched deeper into her mother’s armpit. “Ma, why don’t you leave Daddy and remarry?”


“Re marry?” She sliced the word into two, seemingly considering the question for the first time in her life. “Marry who again?” She shook her head. “No.”


“Why?” Kokui emptied her chest of breath, overcome with sadness for her mother. “Because you love Daddy?”


“Should I let him give another woman what I’ve earned?”


“What have you earned, Ma?”


“As long as I am around, what he has is yours. The others have divorced him. Their kids have left the country.”


“They’re still his children, Ma. And he is married to Auntie Hemaa, too.”


“Hemaa has no children.”


“Have you spoken with Daddy about this?” Who knew how Mawuli would decide to divide his estate in his will, Kokui thought, or if there wasn’t some other wife somewhere with children who could also stake a claim? “He can leave his things to whoever he wants to.”


“Don’t worry about what my husband and I speak about.” Micheline began stroking her daughters’ heads. “How are things at your father’s house? With your stepm—Hemaa?”


Kokui winced at the studied nonchalance in her mother’s query. She asked this question every year. “She’s still there.”


“She’s there, Ma,” Nami repeated, “but Daddy has gone to—”


Their mother’s stroking stopped. “Has gone to do what, Nami?”


Kokui inhaled. Nami wouldn’t tell their mother about their new baby brother. Not after she had insisted the news was their father’s to tell. Not on their first night of the only week they spent together as a family every year. “Ma—”


“Daddy has gone to bring another baby to the house.”


Kokui gasped at the sudden crack in Nami’s voice. Gone was the judgmental seal of set lips her little sister often wore when they discussed their mother, and absent was the sycophantic defense she often made for their father. Nami’s mask of sarcasm had broken, her face agape with dry sobs.


“A baby boy,” Nami rasped. “He cried all through the night. That’s why Daddy was yawning—”


“Did he keep the baby in his room with him?” Micheline asked.


“On the way here, we learned that the woman, the baby’s mother, is the wife of one border agent. The agents tried to pull us out of the car, opened Sister Kokui’s door, called a soldier in.” Every few words, the crack in her voice deepened. “They almost arrested us at Aflao.”


Kokui swiped the tear sliding across the bridge of her nose. “No, Ma, he didn’t let the baby sleep with him like you say he used to do with us.”


Micheline wheezed now, silent tears shaking her body and the bed. “I chose wrongly,” she said. “I chose wrongly. I chose wrongly.”


Nami croaked. “If you say he is wrong, Ma, then we are wrong.”


Kokui reached across her mother’s belly to clasp her sister’s hand.


“Be wiser than I was.”


“How, Ma?” Kokui asked. It wasn’t Micheline’s fault Mawuli had deceived her. How could she have chosen differently when she hadn’t known who or how he really was?


“I don’t know,” Micheline admitted.


They lay in their respective lakes of sadness, their throats taut not only from the weeping but the whispering. God forbid, Kokui thought bitterly, Mawuli hear and accept that the knife he had plunged in the hearts of his wives had cut his children, too. It was so confusing to her, this impulse they all shared to protect Mawuli from the pain he had caused them.


“She cursed us, Ma.” Kokui brought it up because she had not been able to keep the woman’s words down since she heard them. Lying next to her mother and sister, she could see the serpentine arm of her baby brother’s mother stabbing at the darkness.


“Who cursed you?”


“The boy’s mother.”


“Ho!” Nami scoffed. “You think she’s the only one that’s cursed Daddy? Even Ma cursed Daddy.”


“But she didn’t curse Daddy,” Kokui said. “She cursed us.”


“What did she say?” their mother asked.


Kokui conjured the woman’s desperate, acrid rage. “Because of the shame you’ve caused me, not one of your daughters will marry happily.”


“Is that a curse?” Nami asked, wiping her mask back in place. “Who do we know who is happily married?” 


Micheline let out a sad breath. “You can hope for something better...”



( Continued... )


Copyright 2024 All rights reserved. Book excerpt reprinted by permission of the author, Nana Ekua Brew-Hammond. This excerpt is used for promotional purposes only.



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