The Shepherd's Song

Psallam spiritu et mente.
I will sing with the Spirit and with the understanding also.
--Motto of the Royal School of Church Music (I Corinthians 14:15)
  
21 November 2013
In This Issue
22 November 2013 - Friday Evening
Jazz Concert tomorrow evening!  We're nearly sold out, so if you haven't reserved your tickets yet, please phone 859 252 1744 immediately.  Proceeds benefit The Well, a place of refuge and healing for women in Central Kentucky who are victims of sexual exploitation, addiction, and homelessness.

24 November 2013 - Last Pentecost: Christ the King

  9:00am Eucharist, II

      Canterbury Choir

      John Linker, Organist/Choirmaster

              Guilmant / Pastorale (from Sonata No. 1 in D Minor, Op. 42)

              Guilmant / Finale (from Sonata No. 1 in D Minor, Op. 42)

              Daley / King of Glory, King of Peace

              Hymns

                 494*             Crown him with many crowns                                  Diademata

                 436* (St. 1)  Lift up your heads, ye mighty gates                                   Truro

                 LEVAS 96     He is King of kings                                    Spiritual, arr. Boyer

                 544*             Jesus shall reign                                                      Duke Street

 

11:15am Eucharist, II

      Treble Choir / Parish Choir

      John Linker, Organist/Choirmaster

              Guilmant / Pastorale (from Sonata No. 1 in D Minor, Op. 42)

              Guilmant / Finale (from Sonata No. 1 in D Minor, Op. 42)

              Daley / King of Glory, King of Peace

              Hampton / Let all the world in every corner sing (Trebles)

              Hymns

                 494*             Crown him with many crowns                                   Diademata

                 S248             Canticle 16 (Benedictus Dominus Deus)                          Tone 8

                 436* (St. 1)  Lift up your heads, ye mighty gates                                   Truro

                 544*             Jesus shall reign                                                       Duke Street

 

4:15pm Concert

         Rob Vanover, Organ

            J.S. Bach / Prelude & Fugue in G Major, BWV 540

            Franck / Fantasie in C, Op. 16

            Dubois / Toccata (from Douze pi�ces)

 

5:00pm Choral Evensong

      Sung by the Men's Schola

      John Linker, Organist/Choirmaster

      Owen Sammons, Assisting Organist

              Byrd / Gloria tibi, Domine

              Mason / Responses

              Stewart / Psalm 145

              Morley (Fauxbourdon) / Magnificat & Nunc dimittis

              Shepherd / Submit yourselves

              Hymns

                 S60               O gracious Light                                                                Arnatt

                 481*             Rejoice, the Lord is King!                                                Gopsal

 

[* = Hymns chosen from the 2009 Hymn Survey]

Notes for Sunday's Music

 

As this Sunday is the final Sunday of the ecclesiastical year (Christ the King Sunday), we are fortunate to celebrate with music fit for a King. Two movements from Alexandre Guilmant's Sonata No. 1, Opus 42, are played for the voluntaries. Alexandre Guilmant (1837-1911), active 100 years after Bach's death, was influenced by Bach through studying with Jacques Lemmens in Brussels. Lemmens studied with Hesse, who studied with Bach's immediate descendants. During the 19th and early 20th centuries multi-movement organ compositions gained great popularity. While Guilmant called these works "sonata," his contemporary Charles-Marie Widor called them "symphony." From 1871-1901 Guilmant was organist at the Church of La Trinit� in Paris, and in 1896 succeeded Widor as professor of organ at the Paris Conservatory. In 1887 Guilmant played the dedication of the Cavaill�-Coll organ in the American Cathedral, Paris, where Good Shepherd Choir sang this past summer.

 

The lovely and lyrical second movement, Pastorale, is based around a simple melody that begins with an ascending scale and is set out at the beginning on quiet stops in the right hand and soon echoed in the left hand, and eventually exploits many colorful combinations found on our Miller and Wrigley Organ.

 

The Finale dramatically opens with three big chords that set the stage for the exhilarating music that follows. Eventually the music's constant motion is interrupted by a restrained chorale-like passage played on foundation stops. The rapid figurations soon recur, however, preparing for the return of the music from the movement's opening, which grows in intensity, leading to the grand and glorious chords of the penultimate section, marked andante maestoso, and the movement's fiery conclusion.

 

The Anthem by Eleanor Daley is a setting of George Herbert's (an Anglican priest) glorious text, "King of Glory, King of Peace." The text was first published in 1633 and entitled "Praise." Though such verbal precision ("utmost art") may seem at odds with the homely image such as "the cream of all my heart," Herbert's achievement here is not consistency but comprehensiveness, resulting in an almost Romantic exuberance of feeling and a quite cerebral intensity of thought. A native of Ontario, Canada, Eleanor Daley is director of music at Fairlawn Avenue United Church, Toronto, Ontario.

Sunday Afternoon Concert Program Notes

 

Though J.S. Bach (1685-1750) didn't travel very far in his lifetime, he nevertheless absorbed international idioms into his compositions. The Prelude in G opens with a dramatic solo of arpeggios, similar to violin music, representing an Italian influence. Also reflecting Italian influence is the loose ritornello form employed in this opening work, though it can probably be better analyzed as a working out of conventional toccata elements - tonic, dominant and final pedal point - into a tightly organized movement for whose cohesion themes are reused in the course of the movement. The character of the Prelude is jovial, light hearted, and makes for a lovely recital opener.

 

The matching Fugue consists of a subject that sounds like a theme awaiting words. Early Bach biographer Philipp Spitta heard a resemblance to the opening chorus of Cantata 21. The repeated note fugue subject is rather unusual and is more characteristic of string writing, and the counterpoint is worked out in a thick, dramatic fashion. A triumphant fifth voice (quinta vox) is added at the coda, typical procedure for Bach.

 

C�sar Franck (1822-1890) is considered the father of the French symphonic style of organ composition. In 1858 he was appointed organist titulaire of the newly completed church of Sainte-Clotilde, the first large neo-Gothic church to be built in France, a position he held until his death. In this church, on 19 December 1859, with the organist Louis Lef�bure-W�ly, Franck inaugurated one of Cavaill�-Coll's finest instruments. Very rapidly his after-service improvisations became a public attraction. With the inspiration of this new organ at his disposal, Franck began a new phase in his career, the first tangible results being his Six pi�ces d'orgue published in 1868, of which the Fantaisie in Cis the first. The Fantaisie contains four sections. The melodic line of the opening section is primarily drawn from the tonic chord; the second theme enters as a canon. The final section of the Fantaisie is a serene Adagio, which is based both harmonically and melodically to a great degree on the C major chord.

 

Remaining in France for the close of this recital, we hear music by Th�odore Dubois (1837-1924). The peppy Toccata in G Major is the third piece from his collection of Twelve Pieces for Organ, published in 1889. Beginning and ending in G, this sprightly work is distinguished by a central section in the bright key of B major. Dubois was choirmaster at Sainte-Clotilde from 1863-69 (concurrent with Franck's time there), and later served the l'�glise de la Madeleine (where Good Shepherd Choir sang this past summer).

Rob Vanover
Organist Rob Vanover to Perform this Sunday in Good Shepherd
 

Rob Vanover is in his eighth year as a full-time choral music faculty member at Lexington Catholic High School and his fifth year as Organist / Music & Worship Associate at Centenary United Methodist Church. Previously, he has held many positions as a choral conductor and accompanist. Included among these are Organist / Choir Director of Woodland Christian Church from 2000-2006, Director of Music Ministries at St. Peter Roman Catholic Church from 2006-2009, accompanist for the University of Kentucky Women's Choir from 2000-2007, staff accompanist at Georgetown College for 2006-2007, and Studio accompanist for the Voice Studio of Gail Robinson at UK from 2001-2007. In addition he is currently Organist / Choir Director for the Regina Pacis Latin Mass Community and accompanist for the Lexington Singers Children's Choir. In the fall of 2011, he began work as conductor of the community women's ensemble Sister Sound. Mr. Vanover earned the Bachelor of Music in Organ Performance from the University of Kentucky and is currently finishing the Master of Music degree in Sacred Music.

Choral Evensong this Sunday


Join us this Sunday afternoon, 24 November at 5:00pm for a special service of Choral Evensong offered by the Men of the Choir.
 
The Office of Evensong is a staple of worship in the Anglican Communion.  Evensong includes reading of scripture, recitation of psalter, singing of the canticles Magnificat and Nunc dimittis, prayers sung in call and response style between cantor and choir, and generally closes with an Anthem.  
 
In some places, particularly in English Cathedrals and collegiate churches, Evensong is offered daily.  It is from such a tradition of daily worship that we have gained a great wealth in choral repertoire. Many parishes in the Anglican Communion offer Evensong on a monthly cycle such as Good Shepherd
 
The Men's voices will sing repertoire in three and four part divisions for this service, as well as unison singing of Gregorian chant.  In addition to choral music, the service includes hymns sung by the congregation.  
 
Following this service there will be a reception to honor Deacon Lauren Villemuer, as we give thanks for her seven years of ministry at Good Shepherd.  

Sunday Afternoon Concerts in Good Shepherd


We have launched an exciting new concert series each Sunday afternoon throughout the academic year.  Though these concerts are primariliy organ recitals, 

many different genres of music will be celebrated throughout the year.  

Please spread the word and invite your friends!

All Sunday afternoon concerts are at 4:15pm and admission is free, 

however, donations are gratefully accepted.

 

24 November 2013 - 4:15pm - Organ Recital by Rob Vanover. Free admission.

                        Rob Vanover is Organist at Centenary United Methodist Church, Lexington,

                        and is on the music staff at Lexington Catholic High School.

 

1 December 2013 - 4:15pm - Organ Recital by Owen Sammons. Free admission.

                        Owen Sammons is Director of Arts & Music at St Peter's Episcopal Church, Paris, Kentucky.

 

8 December 2013 - 4:15pm - Organ Recital by Jane Johnson. Free admission.

                        Jane Johnson is Organist at Crestwood Christian Church, Lexington,

                        and is Director of Student Affairs, College of Fine Arts, University of Kentucky.

 

15 December 2013 - 4:15pm - Organ Recital by John Linker. Free admission.

                        John Linker is Organist/Choirmaster at Church of the Good Shepherd, Lexington.    

 

                        Program

                        Widor / Symphonie gothique, Op. 70

 

22 December 2013 - NO CONCERT TODAY.

                        5:00pm A Festival of Nine Lessons & Carols

 

24 December 2013 (Christmas Eve) - 6:15pm - Organ Recital by John Linker. Free admission.

                        John Linker is Organist/Choirmaster at Church of the Good Shepherd, Lexington.    

 

                        Program

                        Widor / Symphonie gothique, Op. 70

 

29 December 2013 - NO CONCERT TODAY.

What's Coming Up

 

22 December 2013 - 5:00pm - A Festival of Nine Lessons & Carols for Christmastide

This is an annual favorite of Good Shepherd parishioners and community members alike.  Nine lessons that trace man's fall in the Garden of Eden all the way through the birth of Christ promising redeption are read by representatives of parish ministries and the community.  Familiar Christmas carols are sung by the congregation and the choir sings settings both old and new to help tell the story.  Please arrive early to find a good seat, as this is one of our most popular services of the year.

 

28 February 2014 - 7:30pm - Organist Olivier Latry in Recital

Olivier Latry, one of the three organistes-titulaires de Grande-Orgue of Notre Dame Cathedral in Paris, will be playing a recital in Good Shepherd on Friday 28 February 2014. This remarkable event will be co-sponsored between the Lexington and Louisville Chapters of the American Guild of Organists as well as Good Shepherd. Latry is also organ professor at Paris Conservatory and is considered to be one of the finest organists in the world. You may read more info about this dynamic musician here.

Good Shepherd Choir at St Paul's Within the Walls, Rome, June 2013
Church of the Good Shepherd | 859 252 1744 | office@goodshepherdlex.org | http://goodshepherdlex.org
533 East Main Street
Lexington, Kentucky  40508


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