CELEBRATING ASIAN PACIFIC AMERICAN HERITAGE MONTH
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Katsushika Hokusai, Boy Viewing Mount Fuji, 1839, hanging scroll; ink and color on silk. Freer Gallery of Art, Smithsonian Institution, Washington, D.C.: Gift of Charles Lang Freer, F1898.110
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A FREE ONLINE LECTURE
MAD ABOUT PAINTING:
HOKUSAI & FREER
Tuesday, May 24, 2022
6:00-7:15 PM (EDT)
With Guest Speaker, Frank Feltens, PhD
Japan Foundation Associate Curator of Japanese Art,
Freer Gallery of Art and Arthur M. Sackler Gallery,
Smithsonian’s National Museum of Asian Art
This lecture is co-sponsored by The Freer House, Wayne State University
and the DIA Friends of Asian Arts and Cultures, with support from the
Japan Business Society of Detroit, Japan Cultural Development,
and Japan America Society of Michigan and Southwest Ontario.
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The event will be live-streamed on the Detroit Institute of Arts’ Facebook Page and YouTube Channel. You may use either platform to access the lecture.
A recording will be available for later viewing on the DIA’s YouTube channel.
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If anyone in the United States and Europe can name just one Japanese artist, that name will surely be that of Katsushika Hokusai. Since the time of Japan’s modernization in the Meiji era, Hokusai has been—and continues to be—Japan’s signature artist. Hokusai’s iconic print, Great Wave Off Kanagawa, is one of the most recognizable and often cited works in the global history of art. The name Hokusai and his works of art are a part of Japan’s contemporary cultural identity like few other artists before him.
However, in the public imagination, Hokusai is mainly known through his prints. Arguably the most direct manifestation of Hokusai’s personal agency, on the other hand, are his sketches, drawings, and paintings—something that Charles Lang Freer of Detroit recognized as one of the few Western collectors of his time. Thanks to Charles Lang Freer’s pioneering collecting, aesthetic sensibility, and foresight, the Freer Gallery of Art is fortunate to be home to the world’s largest collection of Hokusai’s paintings and drawings, works that are essential to understand Hokusai’s artistry. In this talk, Dr. Feltens is exploring the motivations that formed the backdrop of Freer’s aesthetic sense and collecting activities during his lifetime in Detroit, with a particular focus on Hokusai.
The lecture will be live-streamed on the Detroit Institute of Arts’ Facebook Page and YouTube Channels on Tuesday, May 24, 2022, 6:00-7:15 PM (EDT). You may use either platform to access the lecture. A recording will be available for later viewing on the DIA’s YouTube channel.
Image above: Katsushika Hokusai, Thunder God, 1847, hanging scroll; ink and color on paper. Freer Gallery of Art, Smithsonian Institution, Washington, D.C.: Gift of Charles Lang Freer, F1900.47
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About the Speaker
Frank Feltens is Japan Foundation Associate Curator of Japanese Art at the Freer Gallery of Art and Arthur M. Sackler Gallery, the Smithsonian's National Museum of Asian Art. A native of Germany, he received a PhD in Japanese art history from Columbia University. Dr. Feltens is a specialist in Japanese painting with a particular focus on the late medieval and early modern eras.
Dr. Feltens has published and lectured on a range of topics related to Japanese art. Before joining the National Museum of Asian Art, he held research positions at MoMA, the National Museum of Asian Art in Berlin, and the Nezu Museum in Tokyo. He has organized a number of exhibitions at the National Museum of Asian Art, most recently Hokusai: Mad about Painting and Mind Over Matter: Zen in Medieval Japan.
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Charles Lang Freer:
America’s Great Collector
of Japanese Art
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Freer’s first Asian art purchase in 1887 was a painted Japanese fan. As Freer became increasingly interested in Japanese art, he visited Japan five times between 1895 and 1911, building a pioneering collection including: Buddhist works from the 7th–17th century; significant examples of both Rimpa and Kano school paintings; major works by the artists Hon’ami Kōetsu and Tawaraya Sōtatsu; Ukiyo-e paintings from the early 17th–19th century; the world's premier collection of paintings by Katsushika Hokusai; and the largest selection of ceramics outside of Japan by Ogata Kenzan.
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Photo: Freer in Japan with the Hara Family, Sannotani, Yokohama, 1907. Freer poses with Tomitarō Hara, silk merchant and art collector, as well as Hara’s wife Yasu (left), and daughter Haruko (right). Second row (left to right): presumed to be Miss Geerts, the Hara family English tutor; Yokohama art dealer Yōzō Nomura; and Naokichi Murata (Hara’s butler). Freer Gallery of Art Archives, Smithsonian Institution.
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To learn more about Freer's points of contact with Japan, please view our online exhibits:
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Thank you to the sponsors, members & supporters of the Freer House
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