Weekly Words About New Books in
Independent Bookstores
July 7, 2024
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New in Paperback - Crime Thriller Set in Racially Torn Southern Town, and Spending Time With a Master of Literary Nonfiction | |
All the Sinners Bleed by S.A. Cosby. I remember finishing Cosby's previous book, Razorblade Tears, and thinking that I might have found an exciting new voice in crime fiction. The plot featured an unlikely pairing of two fathers - one black, one white - who set out to avenge the deaths of their partnered gay sons. Part revenge thriller, part social commentary, and all good writing, the book resonated on several levels and had me very excited about his new book. And Cosby doesn't disappoint - in fact, I think he's only gotten better. With the paperback release this week, All the Sinners Bleed will reach a new and appreciative audience and I get to sing its praises (again) in the bookstore where I work.
Here's the prmise: Racial tensions in a small Southern town impede a Black sheriff's determined search for a serial killer. That plot baseline runs throughout the book, as Sheriff Titus Crown and his deputies track the bad guy. But Cosby isn't content with just a police procedural, albeit an interesting one. He paints an evocative and gritty picture of Charon County, Virginia, and the simmering conflict between its White and Black communities. In the middle of all this is Crown, a former FBI agent who has returned to his hometown, been elected sheriff, and revamped a bigoted police force. A year into the job, a troubled young Black man is shot by a police deputy, fueling already strained race relations. Vowing to follow the truth wherever it leads, Crown investigates the incident, only to have it lead to a darker series of killings.
In its review, The Washington Post called the book "riveting" and went on to say, "What elevates this book is how Cosby weaves politically charged salient issues -- race, religion, policing -- through the prism of a serial murder investigation and the perspective of one of the most memorable heroes in contemporary crime fiction. . . Deeply moving and memorable."
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Tabula Rasa: Volume 1 by John McPhee. Over seven decades, McPhee has set a standard for literary nonfiction that has earned him legendary status. His curiosity and writer's eye has led to writings on subjects as diverse as bark canoes, experimental aircraft, the Swiss Army, geophysical hot spots, and dissident art in the Soviet Union - and that's just a sampling. In this new collection, McPhee turns the spotlight on himself as he takes readers on a revealing review of his career, focusing on writings he never completed and explaining why.
In Tabula Rasa, McPhee opens his metaphorically cluttered desk drawer, reflecting wryly upon projects he once planned to do but never got around to - including people to profile and regions he meant to describe. And this is the first of a planned series of collections because the desk drawer is apparently quite full. As he describes it, Tabula Rasa is "an ideal project for an old man," which means fans can expect more to come. In the meantime, this first volume includes - among other gems - glimpses of a frosty encounter with Thornton Wilder, interrogative dinners with Henry Luce, the allure of western Spain, criteria in writing about science, fireworks over the East River as seen from Malcolm Forbes's yacht, the evolving inclinations of the Tower of Pisa, the islands among the river deltas of central California, teaching in a pandemic, and persuading The New Yorker to publish an entire book on oranges.
Writing about the book in the Los Angeles Times last year, Chris Vognar wrote, "It is telling that McPhee’s random exercise in notebook-emptying proves a more pleasant read than most writers’ fully formed projects . . . In writing Tabula Rasa, McPhee, a legend of what is now often called creative nonfiction, found a replenishment of another quality that can lead to a long life: fun."
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