AMERICAN OPERA PROJECTS AND THE NYU TISCH SCHOOL OF THE ARTS’ GRADUATE MUSICAL THEATRE WRITING PROGRAM & DEPARTMENT OF DESIGN FOR STAGE & FILM

PRESENT


NYU/TISCH OPERA LAB SPRING 2024

The Hudson Guild Operas

World Premiere fifteen-minute operas created in the NYU/Tisch Opera Lab

to be presented on May 23 & 24 at NYU's Shubert Theatre and May 29 & 30 at the Hudson Guild Theatre at 7:30pm

FOR IMMEDIATE RELEASE

May 7, 2024


Brooklyn, NY - American Opera Projects announces The Hudson Guild Operas, a live performance of twelve fifteen-minute World Premiere operas, six to be performed on May 23 and 24, 2024 at NYU's Shubert Theatre (721 Broadway 5th Floor New York, NY 10003) and six May 29 and 30 at the Hudson Guild Center (441 West 26th Street, New York, NY, 10001) at 7:30 PM.


Each of the 12 operas are inspired by the Hudson Guild Settlement, a multi-service community agency which serves those who live, work, or go to school in Chelsea and the west side, with a focus on those in need.


The Hudson Guild Operas will be directed by Diego Alejandro González, Dennis Yueh-Yeh Li, Michelle Chan, and Sam Helfrich. The works featured were created by Kat Cartusciello, Casey Llewellyn, Ernie Bird, Sam Norman, Benjamin Walton, Zoe Ray Prawda, Phyto Stratis, Yunhye Park, Michael Meketa Sanchez, Sravya Saraswatula, Stephen Anthony Elkins, Adrien Radke, Ziyan Yang, Alecia Baxter, Michael Light Oosterhout, Alex Manaa, John Carroll, Ben Ginsberg, Sequoia Sellinger, Grey Jackson, Andy Li, Patrick Thompson, Amos Wong, and José Gabino Alba Rodríguez.


The Hudson Guild Operas will be performed by John Bellemer, Gileann Tan, Eliam Ramos, Yoojin Lee, Brittany Fowler, Clayton G. Williams, Lucas Bouk, Natalie Choo, and will be supported on piano by Music Directors Dmitriy Glivinskiy and Cherie Roe.


HUDSON GUILD THEATRE MAY 29 - https://shorturl.at/rEQ89

HUDSON GUILD THEATRE MAY 30 - https://shorturl.at/fglw9

The Hudson Guild Operas

NYU/TISCH SPRING OPERA LAB 2024


Dmitriy Glivinskiy, Chérie Roe — Music Directors

Michelle Chan, Diego Alejandro González, Dennis Li, Sam Helfrich — Stage Directors

Genevieve McCormick, Steven Smith, Hanxiao Zhang — Costume Designers

Emily Tucker, Fan Yu — Scenic Designers

Kaia Merrell — Lighting Designer

WHAT'S CHANGED

MUSIC BY KAT CARTUSCIELLO

LIBRETTO BY CASEY LLEWELLYN      

DIRECTION BY DIEGO ALEJANDRO GONZÁLEZ


Three collaborators at a community theater in a public housing complex grapple with changes in themselves, their relationships, and the liberatory possibilities of theater in the wake of illness and the impending development of the complex by a private developer.

MUCKRAKERS

MUSIC BY ERNIE BIRD

LIBRETTO BY SAM NORMAN

DIRECTION BY DIEGO ALEJANDRO GONZÁLEZ


A pair of refugees. An irritable customs official. An interrogation that goes off the rails. Set on Ellis Island in 1900, Muckrakers probes the question of what can be lost (or found) in translation.



THE HANDS THAT PLANTED

MUSIC BY BENJAMIN WALTON

LIBRETTO BY ZOE RAY PRAWDA

DIRECTION BY DENNIS LI


Three members of a community share what they think should be done with their beloved tree which is overrun with ivy.

UNTITLED

MUSIC BY PHYTO STRATIS

LIBRETTO BY YUNHYE PARK

DIRECTION BY DENNIS LI


Bernard, an old retired sailor, starts painting even though he has never believed that he could be a painter.

THIRD LOUISE OF THE GALLERY

MUSIC BY MICHAEL MEKETA SANCHEZ

LIBRETTO BY SRAVYA SARASWATULA

DIRECTION BY DIEGO ALEJANDRO GONZÁLEZ


The Hudson Gallery in the Elliott Center, Chelsea until now has had two Louise's in their art shows and Louise Lee is really eager to join this line-up. Louise Lee and her long term husband, Eric live in the senior housing in the Elliott. However, the senior center has been marked for re-construction in a month to include the more privileged. The myth has it that all Louise's of the gallery are bound for tragically grand endings.

LIFT

MUSIC BY STEPHEN ANTHONY ELKINS

LIBRETTO BY ADRIEN RADKE

DIRECTION BY DENNIS LI


The Hudson Guild's empathy is unmistakable. Rooted in service for underserved communities, The Guild is a community that acts to shape a better world. Goodness for goodness' sake. The piece serves as a condemnation of modern "solutions" to accessible housing. Housing lottery systems offer accessibility warped with political or financial gain. Goodness done for gain's sake, and those who suffer from unkind acts of kindness.

CHIPS!

MUSIC BY ZIYAN YANG

LIBRETTO BY ALECIA BAXTER

DIRECTION BY MICHELLE CHAN


It's 2074 and not much has changed at the Fulton and Elliott-Chelsea Houses. Yup, everything is relatively the same. Well, except for the fact that the proverbial 'chips on people's shoulders' now literally grow out of their shoulders. Oh, and some people get to live in a space station during building renovations.

WINDY

MUSIC BY MICHAEL OOSTERHOUT

LIBRETTO BY ALEX MANAA

DIRECTION BY SAM HELFRICH


Windy is a piece following a woman of the same name through three stages of her life, all in the same apartment complex in Chelsea, New York. Through the years we see her relationship with her neighbors and community shift in an increasingly individualistic society, as well as the chance of building something new.

TO REND A DREAM

MUSIC BY JOHN CARROLL

LIBRETTO BY BEN GINSBERG

DIRECTION BY MICHELLE CHAN


"To Rend a Dream" is about two best friends of different class structures, having grown up together in the Elliott-Chelsea Housing Community, but who now have arrived at a crossroads. Their values come into conflict as one friend values the upward mobility of privilege while the other finds solace and purpose in the local settlement community.

IT'S NOON - DO YOU KNOW WHERE YOUR PLANTS ARE?

MUSIC BY SEQUOIA SELLINGER

LIBRETTO BY GREY JACKSON

DIRECTION BY SAM HELFRICH


What if everything in your home could talk. Or at the very least what if your plants could? Your plants can hear you and they are judging the hell out of you. And naturally they are doing it as a group, and possibly with the other living but not human things in your house. The story follows a more traditional narrative structure with a beginning, middle, and end. Hijinks ensue.

TESSERAE

MUSIC BY ANDI LI

LIBRETTO BY PATRICK THOMPSON

DIRECTION BY MICHELLE CHAN


At 420 W. 26th street, the dreams and hopes of young children are memorialized in colorful tiles that wrap around the building in a mosaic entitled, “I want to be a…” While looking over the neighborhood, a teacher, a mother, and high school graduate contemplate what it would mean to leave the mosaic and leave their home.

AGING GRACEFULLY (OR NOT)

MUSIC BY AMOS WONG

LIBRETTO BY JOSÉ GABINO ALBA RODRÍGUEZ

DIRECTION BY SAM HELFRICH


"Aging Gracefully (Or Not)" is a poignant opera that delves into the struggles of growing older, confronting mortality, and finding purpose in life's twilight. Through the intersecting lives of Jasper, Clara, and Rose—all in their 60s—this work explores the human desire for connection and belonging. Can Jasper find the courage to shed his insecurities and embrace life alongside his friends, or will the fear of aging and loss consume him?

ABOUT NYU/TISCH OPERA LAB

The World Premiere operas were created in the NYU/Tisch Opera Lab, a collaboration between Brooklyn contemporary opera producer American Opera Projects (AOP) and NYU’s Tisch School of the Arts. The Lab is a cross-departmental collaboration that was founded in 2015 by faculty members Randall Eng (Graduate Musical Theatre Writing Program [GMTWP]) and Sam Helfrich (Department of Design). This year's Opera Lab is led by founders Randall Eng and Sam Helfirich as well as TJ Rubin. GMTWP provides the librettists and composers, AOP provides the singers and music directors, and the Dept. of Design provides the designers.


For more information, visit: https://www.aopopera.org/nyu-opera-lab

AMERICAN OPERA PROJECTS

Founded in 1988, American Opera Projects (AOP) has been at the forefront of contemporary opera for over 30 years. The Brooklyn-based producing organization commissions, develops and produces lyric theater projects, trains emerging composers and librettists, and creates personal connections within its community. Its works have received critical acclaim at opera companies and venues around the world, establishing a new musical canon that recognizes the operatic story in every life. AOP further expands the operatic field through its training programs The NYU Opera Lab, in partnership with NYU and for students and alumni in The NYU/Tisch Opera Lab; and Composers & the Voice, AOP’s in-house, two-year fellowship program for emerging composers and librettists.


Media Contact:

AOP PR DEPT.

email: info@aopopera.org

Press material is available at: www.aopopera.org/press

Productions of the AOP-NYU/Tisch Opera Lab are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.


AOP’s programs are made possible in part by the Howard Gilman Foundation, The Aaron Copland Fund for Music, Inc., The Andrew W. Mellon Foundation, the Amphion Foundation, BMI, and the contributions of many individuals.

FOLLOW US
Facebook  Twitter  Instagram