April 17, 2024

All things Perfume Passage Foundation on one website!

A Note From The Founders...

Over the years, so much has been written about the relationship between the fashion and perfume industries, and we haven't met a perfume collector who doesn't love the bottles introduced by their favorite designer!


Perfume Passage has embraced this obvious connection through our many displays of perfumes and vanity items launched by fashion designers throughout the 20th century.


For this issue, we'd like to share the perfumes and accessories by one of our favorite designers, Elsa Schiaparelli.


Sincerely,

 Jeffrey and Rusty, Co-founders

"I love to shock people, to surprise them with unexpected combinations and ideas."

– Elsa Schiaparelli

Like the fashion industry, fragrances often allow us to show our individuality while contributing to our social standing and sense of self-worth.


It was in the 13th century that fragrance and fashion were linked for the first time in Grasse, France. At the time, Grasse was known as the world capital of perfumes, and it was also the home of the glove-making industry. The horrendous odor of the glove leather, which was tanned with urine, was problematic.


The local perfumers of Grasse, using the flowers of the region, came to the rescue of the tanners, and perfumed gloves became a must-have fashion accessory throughout Europe. Glove makers soon became successful perfumers, and today the area continues to produce raw materials for the perfume and food industries.

While we don't know if the offensive smells of gloves centuries ago actually led to successful perfume launches by 20th-century fashion designers, we do know that many of the bottles and fragrances they held, are just as iconic as the clothing they designed.


The Deco gallery at Perfume Passage includes several displays of perfume bottles and accessory items introduced by fashion designers including Jeanne Lanvin, Coco Chanel, Jean Paul Gaultier, Christian Dior, and, of course, Elsa Schiaparelli, as seen to the right.


Born in Rome in 1890, Elsa married Count Wilheim Wend de Kerlor in 1914 and traveled to New York with him in 1916. She gave birth to her daughter Yvonne in 1920, then moved to Paris in 1922 following her divorce.

The Early Years...

Elsa worked at an antique shop during the day and soon developed friendships with Parisian artists and designers, including Paul Poiret, sparking her interest in the fashion industry.


In 1927, she founded her company, “Schiaparelli-Pour le Sport” (Schiaparelli-Sportswear), designing collections of knitwear, swimsuits and accessories. 


She introduced four collections each year, collaborating with jewelers, artists and perfume bottle designers. For years, her relationships with artists Salvador Dali, Jean Cocteau and Alberto Giacometti, along with fashion and portrait photographer Man Ray, were legendary.

Elsa was considered a provocateur who designed clothing that followed the popular art and cultural Surrealism movement of the day. This concept was developed in Europe following World War I, allowing artists and designers to use the "unconscious mind to express itself," often resulting in unusual and somewhat bizarre fashions, accessories and art work.


She appeared on the cover of Time magazine in August 1934, the first woman designer to ever achieve this honor. The article refers to her as “one of the arbiters of ultra-modern Haute Couture."

In the 1920s and 1930s, Elsa's elegant, surreal and sometimes witty fashions made a bold statement that stood out and differentiated herself from other designers. She also loved to push the boundaries of what was considered acceptable in fashion. While Perfume Passage does not own any of Elsa's iconic fashions, some of our favorites include the three below, which are now part of the collection at the Philadelphia Museum of Art.


Elsa's well-known collaboration with Surrealist artist Salvador Dali resulted in one of her most famous pieces, the Lobster Dress, in 1937. The lobster is often considered a powerful erotic symbol, and it contrasts with the pristine white fabric of the dress. The dress was considered somewhat scandalous at the time!

Elsa's famous knit Bowtie Sweater was one of the first pieces she designed and part of her initial collection in November 1927. The sweater was an instant success.

A collaboration with another Surrealist artist, Jean Cocteau, resulted in this beautiful evening coat with embroidered silhouettes of a woman's head, along with applied silk flowers.

Elsa and her Perfume Bottles...

Like her mentor and friend, Paul Poiret, Elsa also believed that the success of her fragrances should be as successful as the fashions she created, so developing the packaging and boxes for her scents was a priority. She also agreed with Poiret's thought that if someone couldn't afford her couture fashions, they would be able to indulge in a fragrance instead.


The perfumes and perfume bottles created by Schiaparelli in the 1930s and 1940s are some of the most beautiful and interesting ever created. The Schiaparelli perfume collection at Perfume Passage also includes some original prints that promoted the bottles, as well as magazine advertisements.

Schiaparelli perfumes were considered innovative for the time as they were one of the first fashion houses to market their fragrances to both men and women. Her first perfume, S, launched in 1928, had notes of iris and was marketed as a unisex scent.

In 1934, the company launched its first three scents globally: Soucis, Salut and Schiap. Elsa's early perfumes were created in England by perfumer George Robert Parkinson, who also worked with other perfumeries, including Massenet and Jean-Louis Le Court Company.


A perfume factory was built in Bois-Colombes, northwest of Paris, and the company created a separate division, named Parfums Schiaparelli. They continued to produce perfumes at the factory in Bois-Colombes until 1961.

Elsa's best-known perfume was Shocking! introduced in 1937 and was contained in a bottle sculpted by Argentine artist Leonor Fini.

The bottle was shaped like a dressmaker's mannequin, with a tape measure around the neck, along with glass flowers. The shape of the bottle was inspired by the curves of actress Mae West, a Hollywood sex symbol of the time. The bottle was placed under a glass globe in reference to those in which late 19th-century brides preserved their floral wreaths.


The packaging, also designed by Fini, was in shocking pink, one of Schiaparelli's signature colors.

In 1938, Elsa launched her sensual Sleeping de Schiaparelli fragrance in the shape of a candle with a snuffer, introducing her new "sleeping blue" color palette that was then highlighted in her 1940s summer fashion collection.


The scent was advertised as one that was "meant to be spritzed the moment before falling into bed, and to illuminate the subconscious and light the way to ecstasy."

In 1939, Elsa released her scent, Snuff. While she never worked with Belgian Surrealist artist Rene Magritte, she was inspired by his La Trahison des Images (The Treachery of Images) that he produced in 1929. The fragrance was held in a glass perfume bottle molded in the shape of a man's smoking pipe. It was sold in a package resembling a cigar or tobacco box.


The pipe perfume bottle was the epitome of surrealism; it was a pipe, yet it wasn’t a pipe. Snuff was the only fragrance she created for men, and it contained notes of lavender, bergamot, pine and jasmine.

The Treachery of Images painting is on display at the Los Angeles County Museum of Art. Below the image Magritte painted, Ceci n'est pas une pipe, French for "This is not a pipe."

The graphics on the box and label were designed for Schiaparelli by artist Fernand Guery-Colas, the designer who also created the packaging for Sleeping.

Well known for her fashion collaborations with Surrealist Salvador Dali, Elsa teamed up with him again in 1946 to create the bottle for Le Roy Soleil, a perfume that was inspired by Louis XIV, The Sun King.


According to the Schiaparelli website, only 2,000 bottles of the perfume were produced, and the glass was designed by crystal maker Baccarat. The birds in flight printed on the bottle resemble the face of the sun, and the sheer golden color of the crystal used in the design emits a celestial glow.


Before her marriage to Great Britain's Prince Edward and becoming the Duchess of Windsor, American Wallis Simpson (who wore the Schiaparelli and Dali lobster dress during an editorial for Vogue) was a particular fan of the Le Roy scent.


In 1997, the perfume Le Roy Soleil (below) was released by Parfums Salvador Dali, inspired by the Schiaparelli perfume of the same name.

Using the female form once again for her 1949 fragrance Zut, the bottle is in the shape of a dancer's legs, with her fallen-down skirt exposing her pins as the bottle base. In French, the word "zut" literally translates as damn, an appropriate expression when looking at the meaning of the bottle!

Succes Fou was launched in 1953, only in the US. The name means "raving success" or "smash hit" in French.


It was presented in a leaf-shaped bottle designed by Michel de Brunhoff, and the artist Peynet designed the advertisement. He was the same artist whose images appeared on the porcelain powder compacts by Miref. The leaf bottle could also be fitted with an atomizer top.

Schiaparelli and the Artists...

"Working with artists like Christian Berard, Jean Cocteau, Salvador Dali, Marcel Vertes, Van Dongen; and with photographers like Hoeningen-Huene, Horst, Cecil Beaton, and Man Ray gave one a sense of exhilaration."

It's been said that Elsa's fashions and accessory designs wouldn't have been as successful without her collaboration with several of the most avant-garde and surrealist artists of the time. Working with these influential artists and photographers allowed her to combine styles, fashion and art, forming unprecedented relationships in the fashion and art worlds.

Salvador Dali

In addition to the famous lobster dress and Le Roy Soleil perfume bottle, Dali designed a whimsical figural telephone dial-shaped compact in 1935.


The compact was part of Elsa's theme presentation called “Stop, Look and Listen,” which debuted in conjunction with her new boutique at the Place Vendome in Paris. Their telephone dial compact was so popular that a similar version was produced again in the 1950s by an unknown company.

The collectible enamel powder compact is on the wish list for Perfume Passage!Text Link

Christian Berard

Elsa's friend Christian Berard, known as "Bebe," was a well-known Parisian artist who collaborated with Elsa on fashion illustrations, prints and even a painted folding screen for the showroom of her fashion salon.

Illustration of Schiaparelli's "hard chic" silhouette, 1935.

Princess Poniatowska wearing Schiaparelli, 1937.

Illustration of the "Le Cirque" (Circus) collection, 1938.



Leonor Fini

The artist Leonor Fini, who designed the bottle for the perfume Shocking, also illustrated several Schiaparelli garments, including this long dress with a sliding knot that was part of Elsa's winter 1939 haute couture collection.

Marcel Vertes

Hungarian/French artist Marcel Vertes (1895-1961) illustrated covers for fashion magazines such as Harper’s Bazaar and Vogue. His illustrated ads for Schiaparelli perfumes and cosmetics are delicate-looking, often feature female silhouettes along with flowers. The ads below were among several Vertes designed in the 1940s.

Man Ray

In addition to fashions and perfumes, Elsa created an eclectic jewelry line as well as a distinctive eyewear collection. She collaborated with surrealist artist Man Ray and her designer eyeglasses were licensed in 1952.

He created two pairs of spiral glasses, one made of metal and the other in twisted shocking pink leather. These are another item on the Perfume Passage wish list!

While not exactly a collaboration, Schiaparelli fragrances were so popular that you could purchase a freezer or brassiere and receive samples of a great fragrance. Perhaps these purchases were an enticement to try a new perfume; however, was there a connection between smelling nice and kitchen appliances?

If you purchased any Playtex Living Bra at Scarbrough's department store, you received a $3.00 size of Schiaparelli's Shocking perfume. This ad appeared in the Austin, Texas, American Sun newspaper in September 1964.


A free bottle of Schiaparelli perfume was given to the first 200 ladies who spent $199.88 on a Frigidaire freezer! It sounds like quite a promotion during the grand opening of Taff & Baker's Furniture & Appliance store, according to this May 1960 advertisement in the Tipton, Indiana Daily Tribune.

Schiaparelli Today...

The original Maison Schiaparelli closed its doors in 1954. After World War II, the public was seemingly moving past many pre-war fashions in search of something different. Elsa spent the rest of her life in Paris and Tunisia, writing her memoir. The only thing that remained of the original Maison Schiaparelli was the perfume company.


Elsa died in her sleep in 1973 at the age of 83. 

The couture house was relaunched in 2007 by Diego Della Valle after he acquired the Schiaparelli archives and rights. They opened at Hotel de Fontpertuis in 2012, the same place Elsa left 58 years earlier. 


In 2019, Daniel Roseberry was appointed Artistic Director for all collections, projects and the image of the fashion house.


Roseberry’s approach has been largely focused on surrealism, and he included a version of Schiaparelli’s first hit, the bow sweater, in his fall 2022 ready-to-wear collection!

from Rusty... For me, it was all about a pink hat! I saw it in the showroom at the International Perfume Bottle Association convention a few years ago. It spoke to me, and when the dealer told me it was made by Elsa Schiaparelli, I knew it was coming home with me!

I started reading and learning all about Elsa, her fashions, perfumes and accessories, and I became infatuated. I love the Snuff linear bottle design, as when you turn it on its side, it becomes a bowtie shape.


I watched YouTube videos about Daniel Roseberry and his new designs. I think he's the reincarnation of Elsa Schiaparelli and Salvador Dali, in one person!


When Jeffrey and I traveled to Paris in 2023, I knew we were going to visit the Schiaparelli boutique.

Of course, I added some of the new accessory items to our collection, such as the handbag, wallet and keychain charm. I can imagine that some of these surrealist designs could have been created by Elsa in the 1930s!

Did You Know...


  • Elsa dressed Mae West for the 1937 film Every Day's a Holiday, using a mannequin based on West's measurements, which inspired the torso bottle for her Shocking perfume.



  • The name of most of her perfumes had to begin with an "S," as it was one of Elsa's superstitions. She once said that finding the name of a perfume is a very difficult problem because every word in the dictionary seems to be registered.


  • While the rivalry between designer Coco Chanel and Elsa was mostly verbal, there was one occasion where it actually became fiery, when Chanel accidentally caught Elsa's dress on fire at a European costume ball prior to World War II.


  • Elsa worked with the renowned Massachusetts Whiting & Davis purse manufacturers in the 1930s as they introduced several new, more modern shapes to their product line.


  • For Schiaparelli's 2024 spring-summer collection, the company has designed a brass and enamel brooch in the look of the iconic 1935 telephone dial compact! Artistic director Roseberry said the pin, retailing for approximately $2,000, "embellishes the silhouette with a very Schiap touch!"


Save The Date...

Join us for a Special Celebration!


Perfume Passage is marking a milestone - our fifth anniversary! Save the date and be part of this aromatic extravaganza.


Date: Saturday July 27, 2024

Venue: Perfume Passage



Join us for an unforgettable afternoon filled with scents, stories and surprises!


More details coming soon. Stay tuned!

Perfume Passage Journal...

Issue No. 8 -Vantine & Company is now available!




For this issue, we celebrate the influence of Asian cultures on the American perfume industry. What better way to showcase this rich history than to spotlight the story of A. A. Vantine & Co.


The founder, Ashley Abraham Vantine, spent several years in California in the San Francisco area during the gold rush era. He observed the massive population of Chinese and Japanese immigrants who arrived in America in search of wealth. Vantine was successful in importing foods and household goods from the Far East to cater to this market.


You will discover a gold mine of bottles, burners, powder boxes and ephemera from our collection. A window display in the Passageway is dedicated to Vantine's, with two 17-inch Buddhas greeting visitors. Incense smoke wafts through the corridors on certain occasions.

Perfume Passage Is On Social Media...

There's no doubt about it; social media has become a part of everyday life for billions of people and businesses. According to an online article from Search Engine Journal, there are over 400,000 new social users every day.


Perfume Passage is no exception, and we continue to increase our presence on several social media platforms to share our collections, upcoming events, publications and all things perfume and vanity! Click on the highlighted links below to view some of our videos, stories, collections and interesting finds.

You will find links to our past PassageWAY newsletters, video content such as the virtual tour by Erin Parsons, and much more!

You will find everything on one site. Check out our Linktr.ee

Interested in visiting the collection?


  • As a private residence, we are not open to the general public except through pre-arranged tours.


  • Experiencing the collection is best when done in smaller groups, therefore we limit admission for an up close and intimate experience. See the link below for upcoming available dates. 


  • We also offer private group tours and many other events throughout the year. 
Contact us for more information

Our mission is to preserve the history, beauty and artistry of perfume bottles, compacts, ephemera and related vanity items. Through education, outreach, and awareness of the Perfume Passage collection and library, our goal is to inspire art lovers, collectors, arts and curators to keep this history alive. 

Perfume Passage Foundation perfumepassage.org

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