Dr. Cheryl Smith Appointed Associate Dean of Weissman | |
We are delighted to announce that, starting in Fall 2024, Dr. Cheryl Smith will officially assume the role of Associate Dean for the Weissman School of Arts and Sciences at Baruch College. This appointment follows Smith's two academic years as Interim Associate Dean and her two decades of dedicated service to the College since her arrival in 2003.
Throughout her time at Baruch, Smith has taken on a significant array of leadership roles. She has directed the English Immersion Program, coordinated the Writing Across the Curriculum (WAC) initiative, served as Faculty Liaison to the Center for Teaching and Learning (CTL), and directed the Great Works of Literature Program. Additionally, she has co-chaired the college’s recent self-study for Middle States accreditation, acted as Faculty Director of Baruch’s Honors Program, and served as Dean’s Fellow for Diversity, Equity, and Inclusion.
Smith's scholarly endeavors are as thoroughgoing as her administrative acumen. Her current book project, Poetic Justice: Poetry, Protest, and Democracy in Public Higher Education, now under review at a leading academic press, delves into the transformative role of poetry in education, linking it to themes of expression, educational equity, social liberation, and democracy – values that she enthusiastically brings to her new appointment.
"I couldn't be happier," she said. "The Weissman Dean's Office is full of dedicated, inspiring people. It's a privilege to work alongside them, serve our ambitious students and faculty, and advance our shared mission of access, equity, and excellence."
As Smith steps into her new role, we are so pleased to continue benefiting from her extensive experience, collaborative spirit, and unwavering advocacy for the Weissman School of Arts and Sciences in this pivotal moment for the College and the humanities as a whole.
| | |
Weissman Graduate Adriana Cuca Publishes in Esferas Journal
| |
Graduating in style as part of Baruch’s class of 2024 is not Adriana Cuca’s only reason to celebrate. This past month marked an equally significant academic achievement with the inaugural publication of her research in the student-run journal, Esferas. Her assiduously argued paper, which delves into the impact of Francisco Franco’s fascist regime on Spanish theater censorship, is the culmination of the distinct interdisciplinary focus she cultivated during her years at Baruch. With a dual major in Political Science and Spanish, Cuca's success demonstrates how students at Weissman are able to approach their educational trajectory as a process of discovery, creating and combining disciplines and fluencies. “It's really cool how all these areas of study just fell into this paper," she said. "I was able produce something that really is a product of everything I'm interested in.”
Cuca’s journey toward combining Poli Sci and Spanish began unexpectedly in Spring 2023 during a drama class taught by Modern Languages Assistant Professor Victor Sierra Matute. The course’s intellectual scope struck surprisingly close to home, and she soon found her interest especially kindled by the historical conditions of Franco’s regime and its complex influence on cultural production. Encouraged by Professor Matute and the input of Professor Isolina Ballesteros, she embarked on an independent study to further explore this topic. “I started doing research for the Creative Inquiry Expo, and over the summer, the project just bloomed,” Cuca recalls. “It turned into a deep exploration of how Franco's leadership influenced the creation of theatrical works during that time” she explains. “Specifically, I explored how playwright Alfonso Sastre presented his work and how the government responded to it.”
The research process was not without its surprises. Cuca discovered overlooked details, such as the involvement of well-known artists in the governmental execution of censorship laws, highlighting the interconnectedness of political and cultural spheres during the regime. She also found that the steady evolution of these laws was marked by subtle yet significant changes in their use of language, which reflected shifting political views seemingly without altering a law's essence.
As Cuca graduates, she looks forward to future opportunities in research and writing. “I would love to work in some sort of research institute, but really anything to continue writing,” she says. Especially unusual for an undergraduate, a publication of this kind marks a significant milestone in her academic career, showcasing her ability to contribute to scholarly discourse in a truly interdisciplinary way. We have a feeling, it won’t be the last.
| | |
Weissman M.A. Arts Administration Students Shine at the AAAE Conference in San Juan | |
The final weekend in May marked a proud moment for the Weissman School of Arts and Sciences as four of its M.A. Arts Administration students traveled to San Juan, Puerto Rico, to participate in the 45th Annual AAAE (Association of Arts Administration Educators) Conference.
Among the attendees, Juan Posso Ospina presented his research titled "This Accordion is Calling Us to Fight: An Analysis of Protest Vallenato, Illustration, and Oral Tradition as Mechanisms to Solve Collective Action Problems," winning Best Paper by an Emerging Arts Administrator. Ospina's presentation delves into the cultural movements of Colombia, examining how protest music, illustration, and oral traditions serve as vital tools in addressing collective societal challenges. His work highlights the potential for cultural practices to foster community engagement and social change, providing valuable insights into interdisciplinary collaboration and the role of arts administrators in promoting diversity and inclusion.
Joining him were students Emily Mack, Christina Lynch, and Tamae Vassell, who were all selected to attend the conference as AAAE Mentees. This year-long mentorship program is highly selective, recognizing emerging leaders in arts administration.
This representation at the Conference is a testament to the caliber of the Arts Administration program, showcasing the impactful work of its students on an international stage. Their participation not only highlights their individual achievements but also reflects the program's commitment to nurturing future leaders and changing the face of the field.
| | |
Scenes from the Class of 2024 | | |
FACULTY NEWS AND PUBLICATIONS | |
An Extraordinary Month for Benjamin Gillespie
Benjamin Gillespie, Doctoral Lecturer of Communication Studies, has recently contributed to four notable projects and publications:
He contributed a chapter titled "Making Lesbian-Feminist Theatre: Lois Weaver, Tammy WhyNot, and the Legacy of Split Britches" to the book Milestones in Staging Contemporary Genders and Sexualities, published by Routledge.
Read more here.
He authored the chapter "Split Britches and the Camp Absurd" in The Routledge Companion to Absurdist Literature.
Learn more here.
His chapter "Performing Dramaturgies of Care in Quarantine: Aging, Inclusivity, and Aesthetics in a Virtual World" was published in Pandemic Play: Community in Performance, Gaming, and the Arts.
Check it out here.
Gillespie also moderated an event at La MaMa Theatre titled "What a Drag! Chronicles of Drag in New York," part of the Coffeehouse Chronicles series, which explored the history and cultural impact of drag in New York's theatre scene.
These activities highlight Dr. Gillespie's growing contributions to the world of theatre and performance studies and signal that he is quickly becoming one the field's leading voices.
| |
|
Professor Zachary Calamari in Communications Biology
Zachary Calamari, Assistant Professor of Natural Sciences and a researcher associated with the American Museum of Natural History (AMNH), has made a significant breakthrough in understanding the evolutionary origins of horns and antlers.
His latest paper, just published in the journal Communications Biology, presents compelling genetic evidence suggesting these structures evolved from a common ancestor.
A diverse array of mammal headgear curated by Calamari is on display in the AMNH's Richard Gilder Center for Science, Education, and Innovation as part of the Louis V. Gerstner, Jr. Collections Core.
Read the article here.
| |
|
Artistic Freedom Under Fire: A Discussion at the Theatre Communications Group National Conference
Howard Sherman, Managing Director of BPAC, is set to engage in a panel discussion at the Theatre Communications Group national conference in Chicago. The session titled "Freedom of Expression and the Future of American Authorship" will take place on June 21.
This timely conversation addresses the challenges of artistic censorship in the current cultural climate. As books face bans and dramatic works are scrutinized or canceled based on subjective content standards, this conversation will explore the implications for writers and theatre-makers, particularly those from historically marginalized groups. The discussion aims to highlight and strategize ways to advocate for and protect artistic freedoms that are crucial for a diverse and dynamic cultural landscape.
| |
|
Professor Ken Guest in The Christian Science Monitor
Ken Guest, a Professor of Anthropology at Baruch College, is featured in two recent articles in the Christian Science Monitor focusing on Chinese immigration:
The first article discusses the reasons behind and methods of illegal migration from China to the U.S.
Read the full article here.
The second provides an in-depth look at the destinations of these migrants within the U.S., with a case study on Monterey Park, California. It examines what happens to Chinese migrants once they arrive, including their integration into local job markets and housing sectors.
Read the full article here.
| |
|
Professor Mark Rice Appointed to the Graduate Center
Professor Mark Rice of the Weissman School of Arts and Sciences at Baruch College has recently been appointed a member of the History Program at The Graduate Center, CUNY. This appointment recognizes Professor Rice's exceptional contributions to the field of history.
Professor Rice joins four other esteemed professors from our history department who advise and teach graduate students at The Graduate Center.
| |
|
Commemorating the Work of Emerita Chair of History, Cynthia Whittaker
Colleagues Irina Reyfman and Hilde Hoogenboom have published a moving in memoriam piece in the journal Kritika, celebrating the life and contributions of Cynthia Hyla Whittaker, the recently deceased Emerita Chair of History.
Whittaker, a historian of 18th and 19th-century Russia, made significant strides in areas such as women’s education and the Russian monarchy. Her scholarly work ranged from early articles challenging the portrayal of women's movements in Russia to major contributions in understanding the evolution of Russian monarchy through literary dialogue.
Throughout her career, Whittaker was known not only for her academic rigor but also for her involvement in organizing major exhibitions at the New York Public Library, contributing to a deeper public understanding of Russian history. Her leadership in the History Department at Baruch College was marked by efforts to diversify the faculty and enrich the academic environment, which was recognized with multiple awards. Her legacy lives on.
Read the article here. (the article can be accessed by members of the Baruch community through the Newman Library website via Project Muse.)
| |
|
Mishkin Gallery Receives Praise |
Mishkin Gallery's latest exhibition, "Taxonomies of Power: Photographic Encounters at the State Silk Museum," has garnered significant attention. The collection was featured on CUNY TV's Arts in the City program, highlighting the curation involved in bringing this exhibition to life.
You can watch the segment here: Arts in the City - CUNY TV
The exhibition, co-curated by Alaina Claire Feldman (Director and Curator, Mishkin Gallery) and Mariam Shergelashvili (Exhibition Curator, State Silk Museum), features a selection of historic black-and-white photographs from the State Silk Museum in Tbilisi, Georgia. Additionally, the exhibition includes the film "Raised in the Dust" (2022) by Georgian artist Andro Eradze, providing a contemporary perspective on the historical narratives explored in the photographs.
For another in-depth review, check out the latest coverage from Tussle Magazine.
| | | | | |