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EXHIBITION PREVIEW
JANET RICKUS
Exhibition opens Thursday, November 17th, from 6- 8pm.
Seventeen paintings for Janet Rickus' exhibit at Gallery Henoch are now available. A preview is installed in the rear gallery. Please contact Andrew Liss for more information. This exhibition not only marks Rickus's first show with Gallery Henoch but, her first solo show in Manhattan in four years. While we have admired her paintings for more then a decade, the work for this exhibit began two years ago after Rickus first exhibited several pieces in our invitational show, STILL LIFE . The highly reviewed show focused a spotlight on Rickus' pristine paintings. Collectors have coveted the glowing colors and wonderful stories implied in her work ever since. Needless to say, we are very pleased to present a complete collection of paintings to you. above: Boscs and Butternuts, oil on panel 18" x 18" - - frame size 23" x 23" an exhibition brochure is available. _________________ |
Congratulations to Kim Cogan whose September exhibit is reviewed in this month's ArtNews Magazine by writer Greg Lindquist.
The critic notes some paintings
"recall the kind of timelessness conveyed by Edward Hopper."
Click here to read the full review.
Click here to view paintings from the show.
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Only Two Weekends Remaining
E R I C Z E N E R | |
Eric Zener, PEOPLE ENJOYING THEMSELVES, Oil on Canva, 48" x 48"
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THRU Saturday, November 12th |
Gallery Henoch is pleased to present the seventh one man exhibit of paintings by Eric Zener. Eric Zener turns water into woods in his newest series of paintings.
The forthcoming show will exhibit for the first time a cohesive collection of Zener's oeuvre. The two new Nature paintings will be supported by ten works from the prominently reviewed Water series along with works from his Sleep and Wall St. series to provide a complete thesis on Zener's interests.
email Gallery Henoch for a full exhibition preview  |
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From the previous e-mail:
Arbor Days
Naturalism is a concept that first blossomed in the Renaissance and was notably progressed by Albrecht Durer and Leonardo DaVinci - both of whom incorporated true, identifiable renderings of floral and fauna within their compositions. Over time our notion of the naturalist perspective, which is definable as the depiction of realistic objects observed in a natural environment, has skewed.
Four Gallery Henoch artists, including Eric Zener, have taken to observing the nature of trees. In them we may see how wide the berth of interpretation is - from the meticulous plein-air renderings by Trey Friedman to Eric Zener's wild mono-chromatic canvases. Be the focus on a single portrait or the communal forest, these painters appear to re-visualize trees as exotic life forms to be studied, captured and quite possibly mythologized.
At the gallery, we believe the tree has not had a more interesting day in the sun.
 | | Trey Friedman, TREESIDE, Oil on Panel, 36" x 36" |
 | Eric Zener, SANCTUARY, Oil on Canvas, 72" x 84"
(installation view in current solo show)
 | | Center Detail: SANCTUARY by Eric Zener |
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 | | Gary Godbee, ALSACE FIELDS, 48" x 60" |
 | | Susan Goldsmith, ACACIA, Resin Mixed Media, 36" x 36" |
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