Last Weeks for Two Exhibitions
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From the Director
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Art is like honey.
Antonio Machado, one of the great Spanish writers of all time, described in a poem that his childhood memories were of a patio in Seville and an orchard where lemon trees ripen. I deeply connect with these lines because my childhood memories also have images of a patio--in Valencia (where my family is from)--a patio where the bright Mediterranean sun gave warmth to blooming jasmine. In these memories, on that patio, is my grandfather Antonio, who loved life and who equated anything that was good to eat as being like honey. "Yes, Salva eat this, it is as good as honey!" he would persuasively tell me. At the time, I did not understand his point because, as a child, I found the taste of honey unpleasant. As a grownup, I have come to love honey and enjoy it every day at breakfast--it is a delicious, natural medicine.
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Flowers in a Glass Vase (detail: Earth Bumble Bee), 1704, oil on canvas; Rachel Ruysch, Dutch. Founders Society Purchase, with money from multiple museum funds and contributions from many individual donors.
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By now you might be thinking, what is the point of this column? Well, a month or so ago, the benefits of honey came up in an interesting conversation I had in my office with the DIA development staff and a philanthropy team from a company with which we would like to collaborate. As many of you know, we, unfortunately, can't show our entire collection in the galleries because there is not enough space. In our storage, we have extensive holdings of great works by Detroit artists, including some from the Cass Corridor, and we would like to share these with our community. We proposed in the meeting to have some of these pieces installed in public areas of buildings and other places where they can be shown with the necessary environmental and security precautions. The fact that these works were made in Detroit is an important one. To illustrate this point, I explained to the group that I made sure the honey I enjoy every morning is locally produced because it is thought to enhance the immune system in fending off local allergies and other ailments in the area. In parallel fashion, I thought it was a good idea to have works by local artists displayed in Detroit buildings for the quiet atmosphere they invoke for people frequenting those spaces. Let's say that Detroit art exercises a stronger positive influence to those who live and work in our three-county metropolitan area as local honey does for local residents.
While my approach to honey or the influence of Detroit artists in the city can't really be scientifically proven and quantified, I do enjoy making these parallel connections that speak to our intuition about certain good things. Yes, this is a bit of a romantic idea, but perhaps we can all agree that the exposure to art has an ineffable positive effect and that eating honey feels like it helps our immune system. Can art be like honey? I'd like to say yes. Next time someone comes into my office and asks me who painted
Twin Tornados, which hangs on my wall, I will answer that it is by the Detroit artist Gilda Snowden, and that it is as good as honey--as my grandfather would say.
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 Salvador Salort-Pons
Director
Detroit Institute of Arts
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 Exhibitions
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The Edible Monument The Art of Food for Festivals
Through April 16, 2017 Schwartz Galleries of Prints and Drawings
Closing this month is this exhibition devoted to food as spectacle. Between the sixteenth and nineteenth centuries, ostentatious court and civic banquets were held across Europe. Public celebrations and street parades featured large-scale edible monuments made of breads, cheeses, and meats.
At court festivals, banquet settings and dessert buffets displayed magnificent table monuments with heraldic and emblematic themes made of sugar, flowers, and fruit. This exhibition, drawn from the Getty Research Institute's Festival Collection, features rare books and prints, including early cookbooks and serving manuals, that are the only documentation of the methods and materials used for making edible monuments that were eventually consumed.
The exhibition is organized by the Getty Research Institute, Los Angeles.
Above:
Procession of Pope Clement VII and the Emperor Charles V
(detail: Bread Being Distributed), 1530, hand-colored etchings on a scroll; Nikolaus Hogenberg, Dutch. Getty Research Institute, Los Angeles
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DETROIT AFTER DARK Photographs from the DIA Collection
Through April 23, 2017 Albert and Peggy de Salle Gallery of Photography
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Campus Martius, 2015, pigment print; Jon DeBoer, American. Museum Purchase, Coville Photographic Fund
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The lights go out later this month for this popular photography exhibition, which closes April 23.
The exhibition of photographs from the DIA's permanent collection includes the bright lights of downtown Detroit, the shadows of nearly abandoned neighborhoods, architectural studies, and street scenes, as well as some of city's famous night spots where notable musicians often got their start performing for small, intimate audiences.
A small supplement to the exhibition features work from Paris and New York taken between 1920 and 1960, which establish Detroit's place in the visual tradition of nighttime photography.
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Detroit Public Schools Community District Student Exhibition
April 29-May 28, 2017 Special Exhibition Galleries South
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Rooster, drawing; Magdalena Sanchez Przygodski, Grade 3, Academy of the Americas
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The
80th Annual Detroit Public Schools Community District
Student Exhibition features hundreds of imaginative works created by district students in grades K-12, ranging from paintings, prints, drawings, photography, ceramics, videos, and jewelry.
An opening reception and awards presentation will take place Saturday, April 29, at 4 p.m. in the DFT auditorium.
The 80th Detroit Public Schools Community District Student Exhibition was organized by the Detroit Institute of Arts and the Detroit Public Schools Community District and is made possible with support from the Ruth T. T. Cattell Education Endowment Fund. Additional support was provided by the Detroit Public Schools Foundation.
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THALASSA
Through June 26
Woodward Lobby
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Thalassa, 2011, plywood, steel, paper; Swoon (Caledonia Curry), American.
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Flying high above the Woodward Lobby is
Thalassa, a massive twenty-foot-tall, 400- pound sculpture of the ancient Greek goddess of the sea, created by the New York street artist Caledonia Curry, known as
Swoon. Constructed of plywood on a steel frame and covered with paper cutouts and prints, Thalassa is suspended from the ceiling. Her bodice is adorned with images of sea creatures and colorful swathes of fabric. Long paper ribbons cascade beneath her like tentacles reaching into the sea.
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 Detroit Film Theatre
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It is well known that cats rule the internet, but now they've taken over the DFT as well. Due to popular demand, the run of
Kedi, the documentary about the free-ranging cats of Istanbul, has been extended into April. Shows have been added at 7 p.m., Sunday, April 9, Thursday, April 13, and Sunday, April 16. If you haven't seen the film, given four paws up by the
New York Times, don't delay in getting tickets. Some shows have sold out.
Kedi is in Turkish with English subtitles and such turnout is rare for foreign language films, although cats have a universal language all their own.
Also on the schedule for April, the last month of the 2017 winter season, are a festival of films celebrating the life and work of director David Lynch and the final films of the Afrofuturist and Pioneers of African American Cinema series.
In unexpectedly personal interviews recorded over three years, artist and filmmaker
David Lynch reveals the experiences, insights, memories, and obsessions that have shaped his imagination in the film
The Art Life. The now-seventy-year-old Lynch has never stopped creating, whether it be paintings and sculptures, feature films, or the upcoming return of
Twin Peaks. Also on the DFT schedule are
Eraserhead, Lynch's first feature, about a surreal industrial planet; a newly restored
Mulholland Drive, a dreamlike portrayal of Los Angeles and an actress's search for stardom; and
Inland Empire, a rarely seen film that may or may not be the story of an actress whose world turns nightmarish when she adopts the persona of her character. All films running the weekend of April 21 to 23 are ticketed separately.
United States of Hoodoo closes out the Afrofuturism series exploring Black futures through the lens of techno-culture and science fiction. The film, playing Saturday, April 15, at 9:30 p.m., focuses on the road trip of author Darius James from New York to New Orleans and his slow discovery of the spiritual roots behind African American creative endeavors. Both a personal journey and a cultural voyage, the film paints a multifaceted picture of contemporary African American art and culture that draws upon everything from the delta blues of
Robert Johnson through the art of
Nick Cave.
The Pioneers of African American Cinema concludes with
The Bronze Buckeroo (right), an all African American singing cowboy picture influenced by westerns featuring white actors like
Gene Autry. The cast includes
Herb Jeffries, a Detroit native, as the dashing and brave singing cowboy Bob Blake and Lucius Brooks as his comic sidekick, Dusty. Many such films were financed and distributed by white businessmen and reflected standard stereotypical attitudes: here, for example, the darker-skinned Brooks's comic clowning and speech suggests minstrelsy, while hero Jeffries is honorable, sophisticated, quick-witted, and light skinned. There is no charge for seeing this film, showing on Saturday April 22, at 3 p.m..
For more DFT information, including dates and times, or to purchase tickets, click
here.
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 SHANK'S MARE
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Shank's Mare Photo: Ayumi Sakamoto
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With its combination of traditional Japanese puppetry, video projection of miniature sets, and a haunting score on the hammer dulcimer, Japanese shamisen, and flute,
Shank's Mare rolls Friday Night Live music, DFT movies, and Detroit Institute of Awesome kid-friendly programming into one.
The phrase shank's mare means to go somewhere on foot, to walk rather than ride, and this production, using traditional Japanese
kuruma ningyo, or cart puppets, tells the stories of a proud samurai and an aging astronomer as they take their long, final walk through life.
This form of puppetry gets it name from the small wheeled seats that black-clad puppeteers use to roll about the stage while manipulating the puppets with their hands and feet. The puppet and puppeteer move in unison, bringing great flexibility and realism to the performance.
Shank's Mare is a joint creation of fifth-generation Japanese puppet master Koryu Nishikawa V and American puppet artist
Tom Lee, who has won acclaim for his work on Broadway's
War Horse. It is the first time kuruma ningyo puppetry has been presented in Detroit. The two performances, on Friday, April 7 at 7 p.m. and Saturday, April 8 at 2 p.m., are recommended for families with children eight years of age and older.
On Sunday, April 9, from 1 to 3 p.m. get an up-close look at the type of traditional puppets used in Shank's Mare as puppeteers demonstrate techniques used to manipulate these large figures. Audience members are invited to try their hands (and feet) to bring the puppets to life.
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 Detroit Institute of Awesome
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Shank's Mare Photo: Ayumi Sakamoto
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Shank's Mare (right) is the big Detroit Institute of Awesome April event, but there are other fun activities throughout the month, including a screening of Walt Disney Studio's first animated feature film and another puppet performance.
Snow White and the Seven Dwarfs is the Animation Club selection for April, with shows Saturday and Sunday, April 15 and 16 at 2 p.m. Based on a Jacob and Wilhelm Grimm fairy tale, the handcrafted visual detail of this Technicolor® masterwork is breathtaking, and the inspired musical score still enchants audiences of all ages.
Snow White and the Seven Dwarfs was awarded an honorary Oscar® in 1939 as "a significant screen innovation which has pioneered a great new entertainment field."
Calligrapher Vera Smith demonstrates how she uses flourishes, color, size, and placement to heighten the message of words and letters, giving them the force of a masterful work of art. Get a close look at her work and try your hand at transforming four words describing how you positively changed something in the world into your own work of art on Saturday and Sunday, April 22 and 23 from noon to 4 p.m. in Prentis Court.
In
Cardboard Explosion!, (right) puppeteer Brad Shur transforms simple cardboard shapes into elaborate puppet characters, bringing them to life with help from the audience. Get ready to outsmart dragons, choose-your-own superpower, and train adorable animal sidekicks in this fun, energetic, participatory show on Saturday and Sunday, April 29 and 30, at 2 p.m.
Every
DIA Awesome weekend includes family-friendly guided tours, art-making workshops, gallery art games, and, on Sundays, drawing in the galleries. Activities are free with museum admission, except for the Animation Club screenings, which are free for members and $5 for the general public.
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 Inside|Out
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Inside|Out Around the State
The DIA is expanding the popular Inside|Out program to two counties outside the metro area thanks to a Museums for America grant from the Institute of Museum and Library Services (IMLS). The grant allows the museum to bring high-quality reproductions of masterpieces from the permanent collection to outdoor venues in culturally underserved Michigan areas.
Selected communities must be in one of the forty-three counties identified as underserved by the Michigan Council for Arts and Cultural Affairs. The $105,200 award supports the installation of fifteen reproductions and the implementation of related programming in two communities annually over the next three years. Munising (Alger County) and Sturgis (St. Joseph County) are the first to take part. Installation begins the week of May 14, and the reproductions remain on view through the end of October.
Exact locations are still being determined and, once finalized, will be featured on an interactive map on the DIA's
website.
In tri-county communities, installation of images for springtime displays begins this month.
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News and Notes |
Play ball!
If you can't make it to the Detroit Tigers' opening day game on Friday, April 7, or even if you can, the
Museum Shop's ready for the start of the baseball season with appropriately themed items-cuff links made from old Tiger Stadium bleacher seats or watches and small wallets featuring decorative touches crafted from old Major League baseballs. Baseball not your sport? We've got you covered with similar items made from National League Hockey pucks used in Red Wings games or from National Football League footballs.
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County Days
Spend a leisurely few hours looking at art, participating in an art-making workshop, or grabbing a quick bite to eat during the semi-annual county days for residents of Wayne, Oakland, and Macomb counties. The DIA provides free bus transportation to and from the museum from multiple tri-county locations on Saturday, April 22 for people living in Wayne County; Saturday, April 29 for those from Oakland County; and Saturday, May 6, for Macomb County residents. Buses pickup participants at locations in each county between 9:30 and 10 a.m., and depart the DIA for the return trip at 2:30 and 3 p.m. Round-trip transportation and admission is free, but reservations are required. To reserve a spot and find times and locations, call 313.833.4005 or visit
tickets.dia.org.
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MSU Science Festival: Night at the Museum
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The Last Judgement (detail), about 1525, oil on panel; Jan Provost, Netherlandish. Gift of James E. Scripps
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Ever wondered what lies beneath a painting's surface? Now there's a chance to find out at Michigan State University's Night at the Museum, DIA style. On Friday, April 21, at 6:30, 7, and 7:30 p.m. catch a gallery talk in the European Medieval and Renaissance galleries on "Revealing the Hidden: Using Advanced Imaging in the Examination of Jan Provost's
The Last Judgement."
Aaron Steele, imaging specialist and photographer in the DIA's conservation department, gives an illustrated talk on
multi-spectral imaging techniques, including X-radiography, infrared reflectography, and ultraviolet light, are used to better understand the structure and surface condition of works of art.
The talk is part of MSU's
Science Festival: Nights at the Museum, a multi-day series of events highlighting the fields of science, technology, engineering, arts, and mathematics (a.k.a. STEAM), running Friday, April 7, through Sunday, April 23, at venues across the state.
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Detroit Institute of Arts
5200 Woodward Avenue
Detroit, Michigan 48202
313.833.7900
ADMISSION
$12.50 adults, $8 seniors, $6 children
The museum is free for members and residents of Wayne, Oakland, and Macomb Counties.
Contact the Membership HelpLine at 313.833.7971 or
membership@dia.org
For group sales (15 or more) contact 313.833.1292 or
dia.org/grouptours
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