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Knute Rockne-All American was Pat O'Brien's finest hour: thanks to intensive rehearsals and numerous makeup applications, he so closely resembled the title character that, in the words of Rockne's widow, "I almost expected him to make love with me". The life of the legendary Notre Dame football coach is recounted from his childhood, when young Rockne (played by Johnny Sheffield) startles his Norwegian-immigrant parents by announcing at the dinner table that he's just been introduced to "the most wonderful game of the world." As an adult, Rockne works his way through Indiana's Notre Dame university, under the watchful and benevolent eye of Father Callahan (Donald Crisp) A brilliant student, Rockne is urged by Father Nieuwland (Albert Basserman) to become a chemist, or at the very least remain a chemistry teacher. Newly married to Bonnie Skilles (Gale Page), Rockne at first sticks to academics, but the call of the gridiron is too loud for him to ignore, and before long he has built his reputation as the winningest college football coach in America. One of his most significant contributions to the game is the invention of the tactical shift, inspired by the precision choreography of a team of nightclub dancers! Among the players nurtured by Rockne are the immortal Four Horsemen-Miller (William Marshall), Stuhlreder (Harry Lukats), Laydon (Kane Richmond) and Crowley (William Byrne), and of course the tragic George Gipp, superbly enacted by Ronald Reagan. His career continues unabated until his death in a plane crash in 1931. The screenplay of Knute Rockne-All American tends to be all highlights and little story, with several of the more dramatic passages telegraphed well in advance (just before her husband's death, Bonnie Rockne comments forebodingly "It's gotten cold all of a sudden"). Still, the film remains one of the best and most inspirational sports biographies ever made, with a heart-wrenching conclusion guaranteed to moisten the eyes of even the most jaundiced viewer. Ironically, the film's most famous scene, George Gipp's deathbed admonition to "Win one for the Gipper", was for many years excised from all TV prints due to a legal entanglement stemming from an earlier radio dramatization of Rockne's life; fortunately, this and several related scenes were restored to the film in the early 1990s.

Following his successful foray into swashbuckler comedy with The Three Musketeers and The Four Musketeers, director Richard Lester made what has proved to be one of the few quality films from the disaster craze that dominated filmmaking in the mid-'70s. Juggernaut is the pseudonym of a madman (Freddie Jones) who plants several steel drums aboard a luxury liner and calls the company's officials once the boat has put out to sea, demanding a large sum of money in exchange for instructions on how to defuse bombs inside the drums. Anthony Hopkins plays one of the company officials whose wife and children are aboard the ship, Omar Sharif is the ship's captain, Shirley Knight is a passenger who is also his mistress, and Richard Harris and David Hemmings are two members of the bomb disposal team, which is helicoptered onto the ship to defuse the explosives. As in many of Lester's best works, humor pops up in unexpected places; particularly memorable are Harris as the weary but wisecracking top dog among the explosives experts and Lester regular Roy Kinnear as a bumbling entertainment director desperately trying to distract the apprehensive passengers.

If Jitterbugs is, as has often been claimed, the best of Laurel & Hardy's 20th Century-Fox films (an otherwise fair-to-mediocre lot), it is because the studio was using the picture as a showcase for their newest singing discovery Vivian Blaine. Stan Laurel and Oliver Hardy play a couple of travelling "zoot suit" musicians who innocently team up with likable con man Chester Wright (Bob Bailey). In the course of their travels, Chester and the boys meet small-town girl Susan Cowan (Blaine), whose mother has been victimized by real-estate swindlers Corcoran (Robert Emmett Keane) and Bennett (Douglas Fowley). Reasoning that it takes a crook to catch a crook, Chester masterminds a complicated "sting" to recover Mrs. Cowan's money. Chester's scheme requires Hardy to disguise himself as amorous Southern colonel Wattison Bixby, and obliges Laurel to don women's clothing as Susan's Aunt Emily. Alas, the boys aren't quite up to the rigors of the confidence racket, and as result they end up the prisoners of Bennett's partner, gangster Tony Queen (Noel Madison). In escaping their captors, Laurel and Hardy utilize Chester's phony "gas pills", which when swallowed cause the bad guys to float to the ceiling! The film concludes with a wild runaway-showboat sequence, consisting largely of stock footage from the 1938 Fox musical Sally, Irene and Mary. A reworking of Arizona to Broadway (1933), Jitterbugs is hardly a classic, but Laurel & Hardy-and Vivian Blaine-are in fine form. Worth the admission price in itself is the romantic rendezvous between Oliver Hardy and phony Southern belle Lee Patrick.

In the 1960s, a family experiences life and the struggles of the era, accompanied by the well-known pop songs of the period.

It Came From Beneath the Sea was the first of several fruitful collaborations between producer Charles H. Schneer and special-effects wizard Ray Harryhausen. "It" is a giant, six-tentacled octopus, which is galvanized into action by an H-bomb test. Worse still, the monster is highly radioactive, rendering useless the normal means of defense against it. Scientists Donald Curtis and Faith Domergue team with atomic-submarine commander Kenneth Tobey to halt the creature's progress before it begins to attack major coastal cities. Alas, the monster manages to reach San Francisco, wreaking havoc on the Golden Gate Bridge, the Ferry Building, and Market Street before Tobey figures out a way to destroy it. The stop-motion animation utilized by Harryhausen in It Came From Beneath Sea is convincingly frightening, but before long he'd top this achievement with such superb projects as Earth vs. Flying Saucers and Seventh Voyage of Sinbad.

RKO's prefabricated comedy team of Wally Brown and Alan Carney came to an abrupt end with Genius at Work. A slapsticky remake of 1937's Super Sleuth, the film casts the stars as Jerry and Mike, the stars of a weekly radio "unsolved mysteries" series. Ellen (Anne Jeffreys), the show's head writer, is given invaluable script advice by famed criminologist Marsh (Lionel Atwill). Little do our heroes or heroine realize that Marsh is actually The Cobra, a wily murderer who kills for the thrill of it. When Mike, Jerry and Ellen pay a visit to Marsh's baronial estate, the villain and his faithful servant Stone (a sadly wasted Bela Lugosi) do their best to kill off the troublesome radio sleuths with an abundance of old-dark-house gadgetry. But Mike and Jerry have the last laugh in a tension-filled climax. Though Genius at Work represented the last joint starring appearance of Brown and Carney, the two actors would be reunited as supporting characters in Disney's The Absent Minded Professor (1961).

This filmed version of the 1927 George Gershwin Broadway musical Funny Face utilizes the play's original star, Fred Astaire, and several of the original tunes, then goes merrily off on its own. Astaire is cast as as fashion photographer Dick Avery (a character based on Richard Avedon, the film's "visual consultant"), who is sent out by his female boss Maggie Prescott (Kay Thompson) to find a "new face". It doesn't take Dick long to discover Jo (Audrey Hepburn, who does her own singing), an owlish Greenwich Village bookstore clerk. Acting as Pygmalion to Jo's Galatea, Dick whisks the wide-eyed girl off to Paris and transforms her into the fashion world's hottest model. Along the way, he falls in love with Jo, and works overtime to wean her away from such phony-baloney intellectuals as Professor Emile Flostre (Michel Auclair). The Gershwin tunes include the title song, "S'wonderful", "How Long Has This Been Going On" and "He Loves and She Loves"; among the newer numbers is Kay Thompson's energetic opener "Think Pink". For years available only in washed-out, flat prints, Funny Face was eventually restored to its full Technicolor and VistaVision glory.

Adapted from the best-selling novel by Jessamyn West, Friendly Persuasion is set in Southern Indiana in the early days of the Civil War. Gary Cooper plays Jess Birdwell, patriarch of a Quaker family which does not believe in warfare. Birdwell's son Josh (Anthony Perkins) wishes to adhere to his family's pacifism, but is afraid that if he doesn't sign up for military service, he'll prove to be a coward. Josh joins the Home Guard, which disturbs his mother Eliza (Dorothy McGuire). But Jess Birdwell realizes that his son must follow the dictates of his own conscience. Josh proves his courage to himself when he is wounded during a Rebel raid, while the elder Birdwell is able to stay faithful to his religious calling by not killing a Southern soldier when given both a chance and a good reason to do so. Allegedly, writer Jessamyn West nearly scotched her deal with producer/director William Wyler and distributor Allied Artists when Gary Cooper, taking his fans into consideration, insisted upon including a scene in which he forsakes his pacifism and takes arms against the Rebels. If true, then wiser heads prevailed, since no such scene exists in the final release print. Though uncredited due to his status as a blacklistee, Michael Wilson wrote the screenplay for Friendly Persuasion--and even won an Oscar nomination. Also nominated was the film's chart-busting theme song, "Thee I Love" (by Dmitri Tiomkin and Paul Francis Webster).

Nigel Kneale's Quatermass TV series spawned a brief film series produced over an eleven-year period; 1967's Quatermass and the Pit, released in the US as Five Million Years to Earth, was the third and (until 1979's Quatermass Conclusion) last of the features. As with previous chapters in the Kneale saga, the film begins with a baffling scientific discovery. This time it's an alien ship, alive after 5,000,000 years, discovered during the excavation of a new subway line. The craft is able to cause psychic disturbances in individuals genetically connected to the machine; it also prompts them to see dead Martians as ghostly entitites nearby. In time, conclusions drawn from these events lead scientists to shocking conclusions about the origins of the human race.

One of the most expensive of Don Bluth's animated cartoon features, All Dogs Go to Heaven was also among the most successful. Set in late-'30s New Orleans, the story centers upon a roguish German shepherd named Charlie B. Barkin (voice of Burt Reynolds), who is killed early in the proceedings by his business partner, Carface (voice of Vic Tayback). Charlie travels to Heaven, and is promptly warned that if he heads back to Earth, he can never return; he does decide to go back to Earth, however, to exact revenge on Carface, who has kidnapped Anne-Marie, a little orphan girl who can talk to Animals. The film also includes the vocal skills of Dom DeLuise, Charles Nelson Reilly, Vic Tayback, Melba Moore, Loni Anderson, and a host of others. All Dogs Go to Heaven was the first production of the Dublin-based Sullivan Bluth Studios.

Broadway Musketeers is a remake of the 1932 Warner Bros. drama Three on a Match, with numerous concessions made to the now more stringent Hollywood censors. Brought up together in an orphanage, three young ladies-Isabel (Margaret Lindsay), Fay (Ann Sheridan) and Connie (Marie Wilson)-vow to remain friends through thick and thin. Fate, however, has other things in store for the three heroines, obliging them to trod widely divergent paths in life. One of the three girls deserts her husband in favor of a group of crooked gamblers, culminating in the kidnapping of her beloved child (Janet Chapman). Horace McMahon essays the tough-guy role originally played in Three on a Match by Humphrey Bogart. Producer Bryan Foy is careful to add several new plot twists and characters to prevent Broadway Musketeers from being a carbon copy of its predecessor, not least of which is transforming the character originally enacted by Joan Blondell into a dizzy-blonde type played by Marie Wilson.

Murder in the Big House was a remake of the 1936 Warner Bros. programmer Jailbreak. In his first starring role, Van Johnson plays reporter Bert Bell, who wonders how it came to be that death-row inmate Dapper Dan Mallory (Michael Ames) was "accidentally" killed just before his appointment with the electric chair. Digging a little deeper, Bell discovers that Dapper Dan was planning to make a big revelation just before his execution, one which would expose the corrupt political machine for which he worked. With the help of heroine Gladys Wayne (Faye Emerson) and perenially drunken columnist Scoop Connor (George Meeker), Bell contrives to have himself thrown in jail to solve the mystery. Though the film passed unnoticed when first released, Murder in the Big House raked in a pile of cash when it was reissued as Born to Trouble in 1945, by which time Van Johnson had become the hottest male star in the movies.

One of the best "psychological" westerns of the 1940s, RKO Radio's Blood on the Moon stars Robert Mitchum as itinerant cowboy Jim Garry. Riding into a Texas Indian reservation, Garry finds himself embroiled in a deadly feud between cattle ranchers and homesteaders. He befriends both Amy Lufton (Barbara Bel Geddes), daughter of wealthy cattle man John Lufton (Tom Tully), and smooth-talking mercenary Tate Rilling (Robert Preston). What neither Garry nor Amy realize is that Rilling is a snake, conspiring with crooked Indian agent Jake Pindalest (Frank Faylen) to make off with Lufton's cattle. At first aligning himself with Rilling, Garry finally figures out that his so-called friend is up to no good and casts his lot with Lufton, leading to a bloody showdown. Based on the novel by Luke Short, Blood on the Moon was given top-grade treatment by director Robert Wise, an alumnus of RKO Radio's editing department.

Belle Of The Yukon is standard backstage musical fare, featuring Randolph Scott as a reformed con man who has fled north from the law and opened a successful dancehall/ gambling establishment in the upper reaches of Malamute. Meanwhile, his former lover Belle (Gypsy Rose Lee), who he deserted when he went on the lam, arrives as part of a new show troupe and finds her ex-boyfriend's new ways powerfully attractive. But Lettie Candless (Dinah Shore) also has designs on our hero. A thin plot and light characterizations are kept afloat by bouncy performances, glitzy production, and the usual clutch of sprightly musical numbers.

In this typical 1950s Western, cowboy Wes Tancred (Richard Egan) is publicly vilified after killing a famous gunslinger who was a public hero. In fact, the hero was a villain, and Tancred killed him in self-defense, but Tancred is so scorned for his act that there is a mean-spirited ballad sung about him wherever he goes. On the run from his infamy, he comes to the small town of Table Rock and finds that it has been taken over by a gang of outlaws. To redeem his name, Tancred comes to the aid of the besieged Sheriff Miller (Cameron Mitchell). He also takes under his wing the son of a stagecoach operator who has been killed by the gang of outlaws.

Producer Hal Wallis evidently hoped to recapture the magic of his earlier Casablanca with 1949's Rope of Sand. To that end, he hired three of Casablanca's supporting players: Paul Henreid, Claude Rains, and Peter Lorre. This time, Henreid is the villain, a sadistic police inspector named Paul Vogel. Stationed somewhere in Africa, Vogel hopes to find a legendary lost diamond field. His principal rival in this endeavor is jewel thief Mike Davis (Burt Lancaster), who continues bouncing back from every death trap lain for him by the ill-tempered Vogel. The scenes in which Davis is subjected to various physical tortures is pretty raw for a 1940s film. Claude Rains co-stars as a diamond syndicate head misleadingly named Toady, while Peter Lorre does his shifty-mercenary act. Billed ninth as the nominal heroine is Hal Wallis' latest discovery, French actress/singer Corinne Calvet.

Cecil B. DeMille's Technicolor historical spectacle Reap the Wild Wind was to have starred Gary Cooper, but Cooper's prior commitment to Goldwyn's Pride of the Yankees compelled DeMille to recast the leading role with John Wayne. The film, set in the mid-19th century, centers around Key West, Florida, where piracy reigns unchecked and steam engines are beginning to replace tall ships. Jack Stuart (Wayne) is a sea captain who crashes his vessel on the shoals of Key West. Loxi Claiborne (Paulette Goddard), the hoydenish manager of a salvage firm, arrives on the scene, but discovers that her rival in the salvage business, King Cutler (Raymond Massey) has reached Wayne first and lashed him to the mast, and is proceeding to ransack the ship with the aid of his partner-in-crime, younger brother Dan Cutler (Robert Preston). The Cutlers have built up quite a reputation for reaching wrecks ahead of competitors - to such a degree that some suspect them of making under-the-table deals with dishonest captains. While the men continue to ransack the ship, Loxi nurses Jack back to health, and the two fall in love; meanwhile, Jack worries openly that he'll lose the privilege of piloting his company's newest steamship. To ensure that this doesn't happen, Loxi offers to travel to Charleston, South Carolina and convince investigators that pirates were responsible for what happened to Jack. Subsequently, the company attorney, Stephen Tolliver (Ray Milland) must go to Florida with Jack's commission papers, and investigate the circumstances of the incident prior to givng the papers to the captain. In the process, Jack and Stephen become intense rivals for Loxi's affections.

Auntie Mame began as a novel by Patrick Dennis (aka Ed Fitzgerald), then was adapted into a long-running Broadway play by Jerome Lawrence and Robert E. Lee. This 1958 film version permits Rosalind Russell to recreate her stage role as Mame Dennis, the flamboyant, devil-may-care aunt of young, impressionable Patrick Dennis. Left in Mame's care when his millionaire father drops dead, young Patrick (Jan Handzlik) is quickly indoctrinated into his aunt's philosophy that "Life is a banquet--and some poor suckers are starving to death." Social-climbing executor Dwight Babcock (Fred Clark) does his best to raise Patrick as a stuffy American aristocrat, but Mame battles Babcock to allow the boy to be as free-spirited as she is. In 1974, Auntie Mame was remade as the filmmusical Mame with Lucille Ball.

A real four-hanky picture, Always in My Heart was loosely adapted from the stage play by Dorothy Bennett and Irving White. Walter Huston is a tower of strength as MacKenzie Scott, a brilliant musician falsely convicted of murder and sentenced to Life. While Scott languishes in prison, his long-suffering ex-wife Marjorie (Kay Francis) raises their two children to adulthood. Out of respect for Scott, whom she still loves, Marjorie never reveals to the kids that their father is in jail, insisting instead that Scott has long since died. Enter Philip Ames (Sidney Blackmer), who falls in love with Marjorie and lavish expensive gifts on the children. It must needs be that Scott is proven innocent and pardoned, whereupon he journeys home to visit his grown daughter Victoria (Gloria Warren), now a promising singer. At first hesitant to reveal his identity, Scott is finally urged to do so by Marjorie, who has never really given up hope that her family will one day be reunited. In the midst of all these soap-operaish intrigues, some welcome comedy relief is provided by Borrah Minevitch and his Harmonica Rascals.

Henry Aldrich for President was the second of Paramount's "Henry Aldrich" series to star Jimmy Lydon in the teenaged title role. This time Henry is pitted against an arrogant jock for the presidency of the Centerville High School student council. Henry's chances don't seem bright, especially since a pompous teacher (Lucien Littlefield) is writing the opponent's speeches for him. As often happens in these films, a misunderstanding threatens not only to lose Henry the election but to get him expelled from school as well. Somehow the plot is resolved by a wild climactic airplane ride, with hapless Henry at the controls.

The great Ernst Lubitsch directed this farce (written by Charles M. Brackett and Billy Wilder) about a free-wheeling millionaire, Michael Brandon (Gary Cooper), who enjoys getting married but has a hard time staying married: he's had seven wives and is looking for number eight. He thinks he may have found her in the person of Nicole de Loiselle (Claudette Colbert), whom he meets in a shop on the French Riviera. Unfortunately for Michael, Nicole doesn't like him very much and keeps rebuffing his advances, even though most women would be only too happy to marry him for his money. For just that reason, Nicole's father (Edward Everett Horton), a financially embarrassed French nobleman, strongly suggests that matrimony with Michael would be a good idea, especially since Michael doesn't want to take no for an answer. Nicole eventually relents and weds Michael, but when she tries to get him to change a few of his habits during the honeymoon, he makes plans to divorce her. But Nicole has finally decided that she loves Michael after all, and, as he tries to flee from her, she gives chase, determined to win his heart once and for all. The same story was previously filmed as a silent picture in 1923.

Veteran stage and screen star George Arliss forsakes his biographical roles for domestic comedy in A Successful Calamity. Arliss plays an elderly millionaire saddled with a selfish young second wife (Mary Astor) and a pair of spoiled grown children (William Janney and Evelyn Knapp). To test his family's mettle, Arliss pretends to have gone broke. Just as he suspected they would, his children rally to their father's side and change their ways: The daughter forsakes a fortune hunter (Hardie Albright) for the nice young man she's really in love with (Randolph Scott), while the son applies for a demanding job and performs admirably. Only Arliss' young wife seems to desert him--but even she turns out to be true blue, hocking her jewels to save Arliss from ruin. A Successful Calamity was based on a play by Claire Kummer.

In this comedy, the head of a United Nations department suddenly becomes a father when he stumbles across an abandoned baby in one of the halls. He tries to find a home for the darling and suddenly finds himself surrounded by assorted exotic beauties all trying to win the baby for their country. In the end, though, the bachelor takes the babe for his own. Songs include: "So Wide the World," "Fais Do Do," and "A Global Affair."

Katharine Hepburn made her auspicious film debut in the otherwise undistinguished A Bill of Divorcement. Based on a play by Clemence Dane, the film is set on the day that Hepburn's mother, Billie Burke, is to divorce her insane and long-institutionalized husband John Barrymore. But Barrymore escapes from the asylum and returns home, only vaguely aware of the passage of time (he was shell-shocked during WWI). His presence puts Burke in an uncomfortable spot, especially since she plans to wed Paul Cavanaugh. Pressured by her idiotically traditional family to renew her vows with her first husband, Burke is saved from a lifetime of misery by her spunky daughter Hepburn, who takes care of her child-like father. The film's attitude towards male-female relationships, not to mention its archaic approach to the problem of mental illness, make Bill of Divorcement a chore to sit through today. Its saving grace is the warm rapport between Katharine Hepburn and John Barrymore (contrary to Hollywood legend, they did not despise one another). Even given its dated quality, Bill of Divorcement is more palatable than its empty 1940 remake, which starred Maureen O'Hara and Adolphe Menjou.

To get his girl back, that has fallen for a biker, a worker and one of his friends enter a six day race.

As indicated by the title, 20 Mule Team is all about pioneering borax miners in territorial Arizona. Wallace Beery goes through his usual paces as Skinner Bill Bragg, a fugitive from justice who forms an uneasy alliance with slick outlaw Stag Roper (Douglas Fowley). The two scoundrels plot to jump a valuable borax claim in Death Valley, but Bragg changes his minds when Roper begins to have unsavory designs on virginal heroine Jean Johnson (Anne Baxter, in her film debut). Ever on the prowl for a new Wallace Beery-Marie Dressler screen team, MGM pairs up Beery with Marjorie Rambeau this time out, with mixed results. 20 Mule Team was originally released in Sepiatone, a tinting process MGM had previously utilized in the "Kansas" scenes of The Wizard of Oz.

Set during World War I, Zeppelin stars Michael York as Geoffrey Richter-Douglas, a British defector who goes to work in the fledgling German airship industry. In truth, Richter-Douglas is a spy, who has feigned defection in order to steal the plans for the revolutionary new Zeppelin. Our hero goes under cover so well that, when he tries to inform his own government of a German plan to steal the Magna Carta and thus irreparably damage British morale, no one believes him! Marius Goring costars as the inventor of the Zeppelin, who is racked with guilt when he learns that his creation is to be used for underhanded purposes, while Elke Sommer plays Goring's wife, who ends up helping Richter-Douglas to thwart the robbery scheme.

The life of tragic jazz great Bix Beiderbecke is given the "a clef" treatment in Warner Bros. Young Man With a Horn. Kirk Douglas plays the Beiderbecke character, here named Rick Martin. An ace trumpter player, Martin is one of the few white musicians to flourish in the black-dominated jazz scene of the 1920s. Chafing against the dullness of the "respectable" orchestras for whom he works, Martin finds at least two kindred spirits in the forms of torch singer Jo Jordan (Doris Day) and piano player Smoke Willoughby (Hoagy Carmichael). He rises to popularity with his own group, and along the way falls under the spell of wealthy jazz patroness Lauren Bacall. After marrying Bacall, Martin begins neglecting his music and turns more and more to alcohol. When he skips one of her fancy parties to attend the funeral of his mentor Juano Hernandez, Bacall angrily smashes all his jazz records, effectively ending what was never a very solid relationship. Crawling into a bottle, Martin loses his touch with the trumpet-a heartbreaking sequence, in which he goes to pieces in the middle of the pop standard "With a Song in My Heart". Unlike the real Beiderbecke, who died of alcoholism at the age of 28, Rick Martin is rescued by his faithful friends Day and Carmichael. Kirk Douglas' trumpeteering in Young Man with a Horn was effectively dubbed by Harry James, while jazz pianists Buddy Cole and Jimmy Zito make uncredited soundtrack contributions. The film was adapted by Carl Foreman and Edmund H. North from a novel by Dorothy Baker.

Dr. James Xavier (Ray Milland) is a brilliant but unorthodox researcher whose work with human sight has yielded an experimental chemical that may vastly increase the range of what we can see. Despite the misgivings and warnings of the two people closest to him, Dr. Diane Fairfax (Diana Van Der Vlis) and Dr. Sam Brant (Harold J. Stone), he uses it on himself and finds that he is able to look inside the human body in real-time. This gives him the ability to save the life of a patient in surgery, but in the process, he offends a top physician and calls his own judgement into question. He won't stop or even slow his experiments, however, and when Sam is accidentally killed trying to stop him, he is forced to flee. Soon he is living the life of a hunted man, and is protected and exploited by Crane (Don Rickles), a larcenous carny-man who sets him up as a "healer" on skid row, taking peoples' pennies while Xavier makes his diagnoses. After getting away from Crane, Xavier is found by Diane, who joins him on the run, and by now his own worst nature is coming to the surface. They head to Las Vegas, where his ability to see through objects allows him to win at most of the games in front of him, but he is discovered because of the attention that his "streak" draws to him. Pursued out of town, he heads out to the desert, and by now his ability to see transcends the boundaries of earthly space, leading him to a terrible quandry and a hideous solution to his plight, inspired by an encounter with a preacher.

Danny Kaye plays the first of his cinematic dual roles in Goldwyn's Wonder Man. Kaye appears as timid librarian Edwin Dingle and Edwin's extroverted twin brother, nightclub entertainer Buzzy Bellew. When Buzzy witnesses a gangland shooting, he himself is rubbed out by mob boss Ten-Grand Jackson (Steve Cochran, in his movie debut). Before long, Edwin is visited by Buzzy's ghost, who persuades his bookish brother to help bring Jackson to justice. For the rest of the film, poor Edwin is possessed by his brother's sportive spirit, causing no end of confusion for Edwin's demure lady friend Ellen Shanley (Virginia Mayo) and Buzzy's more outgoing girlfriend, dancer Midge Mallon (Vera-Ellen, also making her first film appearance). Done up in splashy Technicolor, Wonder Man is perhaps Kaye's best Goldwyn-produced vehicle, permitting him to play a character (or characters) rather than a caricature. Highlights include an opera spoof (a variation of which showed up in Kaye's 1954 feature Knock on Wood), Danny's allergic rendition of "Otchi Chornya," and a wonderful vignette wherein Kaye imitates all the "inhabitants" of a pet shop.

Max (Robert Morley) is a wealthy, world-class conoisseur of fine food, who cannot stop himself from eating when the food is first-class. His doctor has given him stern warnings that he must lose over one hundred pounds, or he will die of heart failure. The presence of so many four-star chefs in Europe is a hazard for him. When many of these same chefs are found murdered in inventive ways, each related to the chef's specialty, it begins to appear that Max is the prime suspect in their deaths. Meanwhile, the ex-wife (Jaqueline Bisset) of a fast-food tycoon (George Segal) has earned the right to cook the dessert course at a dinner billed as "the world's most fabulous meal." Despite their profound disagreements, he is worried that she will be one of the murderer's victims.This film, which was loved by some critics and hated by others, is based on the best-selling novel Someone is Killing the Great Chefs of Europe by Nan and Ivan Lyons.

On the whole, Joe E. Brown's vehicles for independent producer David L. Loew were distinct retrogressions from his films at Warner Bros., but When's Your Birthday? still contains some very funny moments. This time, Joe plays Douglas Willoughby, a mild-mannered astrologer who through a series of incredible plot twists becomes a prizefighter. Though he's a most unprepossessing figure in the ring, Douglas manages to box his way up to the championship -- but refuses to don gloves unless the stars are "right." This gets him mixed up with several shady characters and also plants him at the apex of a romantic triangle, with Marian Marsh and Suzanne Kaaren as his two sweeties. Original prints of When's Your Birthday include a Technical animated opening-credits sequence, courtesy of the cartoonmakers of "Termite Terrace" at Warner Brothers.

A violin-playing British doctor's life changes forever after he takes in a distraught Austrian ballerina who tries to kill herself after breaking her wrist. He hires the sad girl as a nanny for his bright son, whom he wants to keep away from his neurotic, overbearing wife. The trouble starts when the doctor and the nanny become genuinely attracted to each other. The wife learns of the nanny's former career and suicide attempt and orders her fired. This causes the doctor to take action on behalf of his son. This in turn causes a downward spiral into tragedy involving an accidental death.

Though filmed while WW2 was still very much in progress, The Very Thought of You has the lighthearted ambience of a postwar picture. After 18 months' duty in the Aleutians, army buddies Dave (Dennis Morgan) and Fixit (Dane Clark) take a long-awaited furlough in Dave's home town of Pasadena. While Fixit is only interested in accumulating as many "dames" as possible, Dave falls deeply and genuinely in love with defense-plant worker Janet (Eleanor Parker). At a Thanksgiving dinner, Dave is given the going-over by Janet's family, some of whom approve of him while others give a thumbs-down. Deciding that they want to spend their lives together no matter the consequences, Dave and Janet opt for a quick marriage and 24-hour honeymoon. When he's called back to active duty, Dave wonders if he'll ever see his bride again?and so does the audience, at least until the very last scenes. Meanwhile, Fixit's casual affair with Janet's coworker Cora (Faye Emerson) likewise becomes a lot more serious than they'd intended. The early scenes of The Very Thought of You are filmed on location at Cal Tech, while other sequences are shot at the San Diego Navy Yards-a harbinger for such future films as On the Town, which also eschewed studio mockups in favor of genuine locales.

The second of Universal's "modernized" Sherlock Holmes films pits the Great Detective (Basil Rathbone, of course) against that "Napoleon of Crime," Professor Moriarty (Lionel Atwill). Surpassing his previous skullduggery, Moriarty has now aligned himself with the Nazis and has dedicated himself to stealing a top-secret bomb sight developed by expatriate European scientist Dr. Franz Tobel (William Post Jr.). Before being kidnapped by Moriarty's minions, Tobel was enterprising enough to disassemble his invention and distribute its components among several other patriotic scientists. Racing against the clock, Holmes and Dr. Watson (Nigel Bruce) try to stem the murders of Tobel's colleagues and prevent Moriarty from getting his mitts on the precious secret weapon. The now-famous climax finds Holmes playing for time by allowing Moriarty to drain all the blood from his body, drop by drop ("The needle to the last, eh Holmes?" gloats the villain). Dennis Hoey makes his first appearance as the dull-witted, conclusion-jumping Inspector Lestrade. Constructed more like a serial than a feature film, Sherlock Holmes and the Secret Weapon (based loosely on Conan Doyle's The Dancing Men) is one of the fastest-moving entries in the series; it is also one of the most readily accessible, having lapsed into public domain in 1969.

Produced by Britain's Teddington Studios on behalf of Hollywood's Warner Bros., the morale-boosting The Prime Minister details the career of 19th century political wizard Benjamin Disraeli, here played by John Gielgud. Filmed in the early months of WW2, the screenplay parallels the diplomatic cunning of Disraeli with the more recent maneuvers of Sir Winston Churchill. This is especially obvious when Disraeli takes on the Prussian Empire during the 1878 Berlin conference, emerging triumphant over a flock of stock-company crypto-fascists. In the role of Queen Victoria, Fay Compton proves a worthy sparring partner for "Dizzy", while Stephen Murray is equally effective as the Prime Minister's principal parliamentary antagonist Gladstone. Other minor roles are vividly realized by actors ranging from venerable Will Fyffe to teenager Glynis Johns.

Trapped in a snowbound mountain cabin, an assortment of travelers receives the unwelcome visit of a wanted outlaw.

In this western, the goodguys use bow and arrows instead of guns to foil the schemes of evil landgrabbers attempting to take their ranch.

This suspense drama features an all-star cast, including Richard Benjamin, Dyan Cannon, James Coburn, James Mason, Ian McShane, and Raquel Welch. An interesting production fact about the film: its screenplay was written by actor Anthony Perkins and lyricist/songwriter Stephen Sondheim. Their careers depend on keeping in the good graces of Clinton (James Coburn), a powerful movie producer. That is why a group of actors, director, agents and other movie professionals (who hate each other) accept an invitation to spend a week on the producer's yacht on the anniversary of his wife's untimely death in a hit-and-run car accident. Once on board, Clinton requires them to play a vicious game which involves each person's revealing a damaging secret about themselves or someone else in the party. When one of the secrets to be revealed involves the hit-and-run murder of his wife, the game turns fatal.